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Ewa Mazierska addresses the main features of Skolimowski's films, such as their affinity to...

Jerzy Skolimowski is one of the most original Polish directors and one of only a handful who has gained genuine recognition abroad. This is the first monograph, written in English, to be devoted to his cinema. It covers Skolimowski's career from his early successes in Poland, such as Identification Marks: None and Barrier, through his emigre films, Deep End, Moonlighting and The Lightship, to his return to Poland where, in 2008, he made the internationally acclaimed Four Nights with Anna.

Ewa Mazierska addresses the main features of Skolimowski's films,...

Gender, especially masculinity, is a perspective rarely applied in discourses on cinema of Eastern/Central Europe. Masculinities in Polish, Czech and Slovak Cinema exposes an English-speaking audience to a large proportion of this region's cinema that previously remained unknown, focusing on the relationship between representation of masculinity and nationality in the films of two and later three countries: Poland, Czechoslovakia/the Czech Republic and Slovakia. The objective of the book is to discuss the main types of men populating Polish, Czech and Slovak films: that of soldier,...

"Offering an excellent overview of masculinity - in relationship to war, fatherhood, love, and homosexuality - in Polish, Czech, and Slovak film this accessible highly interpretive work addresses a number of films and then attempts to contextualize their...

"Ewa Mazierska has written an important book... it] is original and fascinating scholarship. The range of films is broad, with a special emphasis on British, former Yugoslav, Polish and French cinema, and the book cuts across art house and popular cinema - from cult films to Carry On- all in the name of bringing our attention to one of cinema's otherwise most notable absent figures: work and working." - William Brown, University of Roehampton

Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in...

Like many Eastern European countries, Poland has seen a succession of divergent economic and political regimes over the last century, from prewar "embedded liberalism," through the state socialism of the Soviet era, to the present neoliberal moment. Its cinema has been inflected by these changing historical circumstances, both mirroring and resisting them. This volume is the first to analyze the entirety of the nation's film history-from the reemergence of an independent Poland in 1918 to the present day-through the lenses of political economy and social class, showing how Polish cinema...