New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumpti...
New Theatre Quarterly is an international forum where theatrical scholarship and practice can meet, and prevailing dramatic assumptions can be subjected to analysis.
New Theatre Quarterly is an international forum where theatrical scholarship and practice can meet, and prevailing dramatic assumptions can be subject...
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumpti...
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumpti...
The original will - one of the National Archives' most prized treasures - is reproduced in full, with a transcript for modern readers. Individual phrases are probed with a light, entertaining touch to reveal what we can piece together about Shakespeare the writer and the man - his friends and family, his lovers, the places where he lived, his beliefs, his growing wealth and, of course, the theatres where he made his name. The result is a fascinating, freewheeling journey into a life (and death) with tantalizingly few facts and room for intriguing conjecture.
The original will - one of the National Archives' most prized treasures - is reproduced in full, with a transcript for modern readers. Individual p...
Clive Barker (Rose Bruford College, London), Simon Trussler
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumpti...
Clive Barker (Rose Bruford College, London), Simon Trussler
New Theatre Quarterly is an international forum where theatrical scholarship and practice meet, and where prevailing dramatic assumptions are subjected to vigorous critical questioning.
New Theatre Quarterly is an international forum where theatrical scholarship and practice meet, and where prevailing dramatic assumptions are subjecte...