""Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all." So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, "The End of the History of Art?." "Known for his striking and original theories about the nature of art," according to the "Economist," Belting here examines how art is made, viewed, and interpreted today....
""Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direct...
""Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all." So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, "The End of the History of Art?." "Known for his striking and original theories about the nature of art," according to the "Economist," Belting here examines how art is made, viewed, and interpreted today....
""Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direct...
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. "A rarity within its genre--an art-historical...
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence
Was ist ein echtes Bild? Hans Belting sucht unser Bedürfnis nach dem wahren, authentischen Bild, das wir vor allem in der Wissenschaft verlangen, zu ergründen. Er zeigt, wie sehr die europäische Geschichte der Religion bis heute unsere Bildbegriffe und unser Bilddenken bestimmt. Belting schlägt souverän den Bogen von der Spät-antike bis hin zu Fernsehen und Film unserer Tage. Dabei präsentiert er dem Leser eine neue Sicht auf die Geschichte des Bildes und setzt dessen Aktualität in ein ungewohntes Licht.§§Hans Belting setzt sich hier mit Fragestellungen seines zum Klassiker...
Was ist ein echtes Bild? Hans Belting sucht unser Bedürfnis nach dem wahren, authentischen Bild, das wir vor allem in der Wissenschaft verlangen, zu ...
Die 15 Autoren dieser Einführung stellen Kunstgeschichte als Fachgebiet wissenschaftlicher Arbeit vor. Sie zeigen, wie die als Kunstwerke anerkannten Objekte derzeit klassifiziert werden. Sie berichten über die traditionellen und aktuellen Verfahren, Herkunft, Alter und Echtheit der Kunstwerke zu ermitteln und ihre originale Erscheinungsform zu rekonstruieren. Sie informieren über die derzeit gängigen Methoden der Werkanalyse und Interpretation. Die konzentrierte Form der Darstellung, die Materialbeigaben und Literaturverzeichnisse möchten das Selbststudium anregen und die universitäte...
Die 15 Autoren dieser Einführung stellen Kunstgeschichte als Fachgebiet wissenschaftlicher Arbeit vor. Sie zeigen, wie die als Kunstwerke anerkannten...
In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the...
In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rathe...
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media
This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation.
Belting divides his book...
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media