Kategoria BISAC: Literary Criticism >> Indigenous Peoples of the Americas

"Examines Indian boarding school narratives and their impact on the Native literary tradition from 1879 to the present"

Indian boarding schools were the lynchpins of a federally sponsored system of forced assimilation. These schools, located off-reservation, took Native children from their families and tribes for years at a time in an effort to kill their tribal cultures, languages, and religions. In "Learning to Write Indian, " Amelia V. Katanski investigates the impact of the Indian boarding school experience on the American Indian literary tradition through an examination of...

Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner is a strikingly original study of works by three postbellum novelists with strong ties to the Deep South and Mississippi Valley. In it, Barbara Ladd argues that writers like Cable, Twain, and Faulkner cannot be read exclusively within the context of a nationalistically defined "American" literature, but must also be understood in light of the cultural legacy that French and Spanish colonialism bestowed on the Deep South and the Mississippi River Valley, specifically with respect to the very different ways...

Identified only in 1986, the Nahuatl Holy Week play is the earliest known dramatic script in any Native American language. In "Holy Wednesday," Louise Burkhart presents side-by-side English translations of the Nahuatl play and its Spanish source. An accompanying commentary analyzes the differences between the two versions to reveal how the native author altered the Spanish text to fit his own aesthetic sensibility and the broader discursive universe of the Nahua church. A richly detailed introduction places both works and their creators within the cultural and political contexts of late...

American mainstream culture has always been fascinated with the notion of the primitive, particularly as embodied by Native Americans. In Inventing the American Primitive, Helen Carr illustrates how responses to the existence of Native American traditions have shaped ideas of American identity and American literature.

Inventing the American Primitive examines a body of work, both literary and anthropological, that describes, inscribes, translates and transforms Native American myths and poetry. Drawing on post-colonial and feminist theory, as well as ethnography's recent textual...

American mainstream culture has always been fascinated with the notion of the primitive, particularly as embodied by Native Americans. In Inventing the American Primitive, Helen Carr illustrates how responses to the existence of Native American traditions have shaped ideas of American identity and American literature.

Inventing the American Primitive examines a body of work, both literary and anthropological, that describes, inscribes, translates and transforms Native American myths and poetry. Drawing on post-colonial and feminist theory, as well as ethnography's recent textual...

Yaqui regard song as a kind of lingua franca of the intelligent universe. It is through song that experience with other living things is made intelligible and accessible to the human community. Deer songs often take the form of dialogues in which the deer and others in the wilderness world speak with one another or with the deer singers themselves. It is in this way, according to one deer singer, that "the wilderness world listens to itself even today."

In this book authentic ceremonial songs, transcribed in both Yaqui and English,...