This collection of autobiographical narratives by Native American people from the earliest documents that exist to the present day. The 30 narratives included cover a range of tribes and cultural areas, over a span of more than 200 years.

Twenty-seven Native American writers describe their lives and art in this compelling collection.

When the editors Arnold Krupat and Brian Swann asked twenty-seven Native American writers to describe their lives in relation to their art, they received an extraordinary array of responses -- twenty-seven pieces of autobiographical remembrance united only by a common set of Native American heritages.

The writers, artists, poets, and academics represented here have recorded a memorable series of personal and family histories illuminated by verse and song, story, and narrative, all fed by the...

Drawing on the life stories of Native Americans solicited by historians during the 19th century and, later, by anthropologists concerned with amplifying the cultural record, Arnold Krupat examines the Indian autobiography as a specific genre of American writing.

The Turn to the Native is a timely account of Native American literature and the critical writings that have grown up around it. Arnold Krupat considers racial and cultural "essentialism," the ambiguous position of non-Native critics in the field, cultural "sovereignty" and "property," and the place of Native American culture in a so-called multicultural era. Chapters follow on the relationship of Native American culture to postcolonial writing and postmodernism. Krupat comments on the recent work of numerous Native writers. The final chapter, "A Nice Jewish Boy among the Indians," presents...

I Tell You Now is an anthology of autobiographical accounts by eighteen notable Native writers of different ages, tribes, and areas. This second edition features a new introduction by the editors and updated biographical sketches for each writer.

Arnold Krupat, one of the most original and respected critics working in Native American studies today, offers a clear and compelling set of reasons why red--Native American culture, history, and literature--should matter to Americans more than it has to

In this dynamic collection of essays, Arnold Krupat, one of the leading critics of American Indian writing, storytelling, and film, offers insightful and provocative analyses of representations by and about Native peoples, past and present. He considers the relations between tricksters in traditional and contemporary stories, the ways in which Native peoples were depicted in mainstream American literature in the mid-nineteenth century, and how modern Cherokee authors look back upon and represent the forced removal of their ancestors from the Southeast in the 1830s. He also examines the...

James Welch was one of the central figures in twentieth-century American Indian literature, and The Heartsong of Charging Elk is of particular importance as the culminating novel in his canon. A historical novel, Heartsong follows a Lakota (Sioux) man at the end of the nineteenth century as he travels with Buffalo Bill s Wild West show; is left behind in Marseille, France; and then struggles to overcome many hardships, including a charge for murder. In this novel Welch conveys some of the lifeways and language of a traditional Sioux.Here for the first time is a literary...