Kategoria BISAC: Literary Criticism >> Indigenous Peoples of the Americas

In the dawn of November 29, 1864, a Colorado militia unit attacked a peaceful encampment of Cheyennes by Sand Creek in southeast Colorado Territory and murdered almost two hundred men, women, and children. In The Massacre at Sand Creek, Bruce Cutler retells, in a powerful narrative, the events surrounding this atrocity. We hear the voices of the white participants, such as Colonel John Chivington, who planned and led the surprise attack, and Captain Silas Soule, the only officer who refused to attack. We are also given the voices of the Cheyennes - voices that historical documents do not...

By using verse form and visual clues indicating pauses, intonations, and gestures, anthropologist Rodney Frey permits readers to hear the oral literature of narrators from the Coeur d'Alene, Crow, Klikitat, Kootenai, Nez Perce, Sanpoil, and Wasco people today in Washington, northern Idaho, and Montana. He places each of the twenty-three narratives in its larger cultural, literary, and expressive context, making this anthology an important resource both for American Indian people and for non-Native scholars and general readers. A glossary and a lesson-plan appendix facilitate the book's use...

"Totkv Mocvse/New Fire" presents the work of Earnest Gouge, an important early Creek (Muskogee) author, and makes available for the first time-in Creel and English--the myths and legends of a major American Indian tribe.

In 1915, Earnest Gouge was encouraged by ethnographer John Reed Swanton to record Creek legends and myths. Gouge's manuscript lay in the National Anthropological Archives for eighty-five years until two Creek-speaking sisters, Margaret McKane Mauldin and Juanita McGirt, and linguist Jack B. Martin, began translating and editing the document. In "Totkv Mocvse/New Fire,...

Native American tricksters can be buffoons, transformers, social critics, teachers, and mediators between human beings, nature, and the gods. A vibrant part of American Indian tradition, the trickster has shown a remarkable ability to adapt into the twenty-first century. In "Living Sideways," Franchot Ballinger provides the first full-length study of the diverse roles and dimensions of North American Indian tricksters. While honoring their diversity and complexity, he challenges stereotypical Euro-American treatments of tricksters.

Drawing from the most influential scholarship on Native...

"Examines Indian boarding school narratives and their impact on the Native literary tradition from 1879 to the present"

Indian boarding schools were the lynchpins of a federally sponsored system of forced assimilation. These schools, located off-reservation, took Native children from their families and tribes for years at a time in an effort to kill their tribal cultures, languages, and religions. In "Learning to Write Indian, " Amelia V. Katanski investigates the impact of the Indian boarding school experience on the American Indian literary tradition through an examination of...

Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner is a strikingly original study of works by three postbellum novelists with strong ties to the Deep South and Mississippi Valley. In it, Barbara Ladd argues that writers like Cable, Twain, and Faulkner cannot be read exclusively within the context of a nationalistically defined "American" literature, but must also be understood in light of the cultural legacy that French and Spanish colonialism bestowed on the Deep South and the Mississippi River Valley, specifically with respect to the very different ways...

Identified only in 1986, the Nahuatl Holy Week play is the earliest known dramatic script in any Native American language. In "Holy Wednesday," Louise Burkhart presents side-by-side English translations of the Nahuatl play and its Spanish source. An accompanying commentary analyzes the differences between the two versions to reveal how the native author altered the Spanish text to fit his own aesthetic sensibility and the broader discursive universe of the Nahua church. A richly detailed introduction places both works and their creators within the cultural and political contexts of late...

American mainstream culture has always been fascinated with the notion of the primitive, particularly as embodied by Native Americans. In Inventing the American Primitive, Helen Carr illustrates how responses to the existence of Native American traditions have shaped ideas of American identity and American literature.

Inventing the American Primitive examines a body of work, both literary and anthropological, that describes, inscribes, translates and transforms Native American myths and poetry. Drawing on post-colonial and feminist theory, as well as ethnography's recent textual...

American mainstream culture has always been fascinated with the notion of the primitive, particularly as embodied by Native Americans. In Inventing the American Primitive, Helen Carr illustrates how responses to the existence of Native American traditions have shaped ideas of American identity and American literature.

Inventing the American Primitive examines a body of work, both literary and anthropological, that describes, inscribes, translates and transforms Native American myths and poetry. Drawing on post-colonial and feminist theory, as well as ethnography's recent textual...