Kategoria BISAC: Poetry >> Medieval

Mark Musa again brings his poetic sensitivity and his skill as a translator to the difficult task of making Dante's masterpiece live for English-speaking readers. His rendering of the Purgatory is distinguished by the same flexible iambic verse, the same dignified understatement, and the same elegant clarity that characterizes Dante's own lofty and complex style. Musa's extensive annotation as well as his prose introduction to each of the cantos reveal the hand of the careful scholar and craftsman.

Volume 4 of Indiana s six-volume edition of Dante s Divine Comedy consists of Mark Musa s extensive commentary on the Purgatory. Enlightening for the general reader as well as the student of Italian or comparative literature. Volume 3 is the companion volume, a dual-language edition of Dante s Purgatory.

Hartmann von Aue (c. 1170-1215) is universally recognized as the first medieval German poet to create world-class literature. He crafted German into a language of refined literary expression that paved the way for writers such as Gottfried von Strassburg, Walther von der Vogelweide, and Wolfram von Eschenbach. This volume presents the English reader for the first time with the complete works of Hartmann in readable, idiomatic English.

Hartmann's literary efforts cover all the major genres and themes of medieval courtly literature. His Arthurian romances, Erec and Iwein, which...

Published to observe the twelfth centenary of the Battle of Roncevaux, the event that inspired the Chanson de Roland, this edition provides the first systematic analysis of the entire poem. Professor Brault's edition also incorporates the considerable scholarly work done in the half century since the Bedier and Jenkins editions appeared.

The underlying theme of this new edition is that the poem is a Christian hero. As imagined by the poet Turoldus--writing about 1100, at the time of the First Crusade--Roland, the nephew of Charlemagne, had no faults and accomplished mighty...

Of the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem's line-by-line vigor and its allegorically and philosophically exacting...

This widely praised version of Dante's masterpiece, which won the Los Angeles Times Book Prize and the Harold Morton Landon Translation Award of the Academy of American Poets, is more idiomatic and approachable than its many predecessors. Former U.S. Poet Laureate Pinsky employs slant rhyme and near rhyme to preserve Dante's terza rima form without distorting the flow of English idiom. The result is a clear and vigorous translation that is also unique, student-friendly, and faithful to the original: "A brilliant success," as Bernard Knox wrote in The New York Review of...

This widely praised version of Dante's masterpiece, which won the Los Angeles Times Book Prize and the Harold Morton Landon Translation Award of the Academy of American Poets, is more idiomatic and approachable than its many predecessors. Former U.S. Poet Laureate Pinsky employs slant rhyme and near rhyme to preserve Dante's terza rima form without distorting the flow of English idiom. The result is a clear and vigorous translation that is also unique, student-friendly, and faithful to the original: "A brilliant success," as Bernard Knox wrote in The New York Review of...