Kategoria BISAC: Literary Criticism >> Comparative Literature

The term "post-mandarin" illuminates how Vietnam's deracinated figures of intellectual authority adapted to a literary field moving away from a male-to-male literary address toward print culture. With this shift, post-mandarin intellectuals increasingly wrote for and about...

Exorcising Translation, a new volume in Bloomsbury's Literatures, Cultures, Translation series, makes critical contributions to translation as well as to comparative and postcolonial literary studies.

The hot-button issue of Eurocentrism in translation studies has roiled the discipline in the past few years, with critiques followed by defenses and defenses followed by enhanced critiques. Douglas Robinson identifies Eurocentrism in translation studies as what Sakai Naoki calls a "civilizational spell." Exorcising Translation tracks two translation histories. In the...

Exorcising Translation, a new volume in Bloomsbury's Literatures, Cultures, Translation series, makes critical contributions to translation as well as to comparative and postcolonial literary studies.

The hot-button issue of Eurocentrism in translation studies has roiled the discipline in the past few years, with critiques followed by defenses and defenses followed by enhanced critiques. Douglas Robinson identifies Eurocentrism in translation studies as what Sakai Naoki calls a "civilizational spell." Exorcising Translation tracks two translation histories. In the...

Die Beitrage des Bandes nahern sich dem weit verzweigten Netz britisch-deutscher und am Rande auch deutsch-britischer Bezuge mit zwolf Fragestellungen, die sich auf die Rezeption, Ubersetzung und Verarbeitung britischer Schriften im deutschsprachigen Raum bis nach Prag, auf den Vergleich asthetischer Diskurse sowie auf Schilderungen von Englandreisen beziehen.

What if the Renaissance had the right idea about character? Most readers today think that characters are individuals. Poets of the Renaissance were working with an ancient understanding of character as type. They thought the job of a character was to collect every example of a kind.
Character as Form celebrates the old meaning of character. The advantage of the old meaning is that it allows for generalization. Characters funnel whole societies of beings into shapes that are compact, elegant, and portable.
Reading backwards, using a personal canon of poems, novels, comics, and...

What if the Renaissance had the right idea about character? Most readers today think that characters are individuals. Poets of the Renaissance were working with an ancient understanding of character as type. They thought the job of a character was to collect every example of a kind.
Character as Form celebrates the old meaning of character. The advantage of the old meaning is that it allows for generalization. Characters funnel whole societies of beings into shapes that are compact, elegant, and portable.
Reading backwards, using a personal canon of poems, novels, comics, and...

Fiction research has traditionally developed its theories from narrative texts. While narratology has engaged in media comparisons for some time, such comparisons are still at an early stage in fiction theory. This volume examines the phenomena of fiction through a comparative arts and media perspective, thereby helping to create a theory of fiction grounded in transmediality.

In the last decade there has been a proliferation of landscape writing in Britain and Ireland, often referred to as 'The New Nature Writing'. Rooted in the work of an older generation of environment-focused authors and activists, this new form is both stylistically innovative and mindful of ecology and conservation practice. The New Nature Writing: Rethinking the Literature of Place connects these two generations to show that the contemporary energy around the cultures of landscape and place is the outcome of a long-standing relationship between environmentalism and the arts.

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