Kategoria BISAC: Art >> History - General

This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career,...

Providing a detailed annotated bibliography and research guide to the Stieglitz Circle and four of its leading members--Arthur Dove, Marsden Hartley, John Marin, and Max Weber--this new sourcebook offers a chapter on each of the four artists. Complete with biographical essay and guides to writings, statements, correspondence, books, articles, reviews, reference sources, and archival sources, each artist's chapter gives the researcher an exhaustive catalogue of relevant material.

The only such annotated sourcebook currently available on the Stieglitz Circle, R. Scott Harnsberger's work...

Though often portrayed in scholarly literature as a spontaneous artist, Frida Kahlo worked in a quite deliberate manner, basing her paintings on diverse cultural and philosophical sources. Imaging Her Selves uncovers the unexplored visual and textual foundations of Kahlo's imagery, illustrating--through a detailed study of her diary, letters, library collection, and other material-- the complex multilayered meanings of the many selves she comprised. In dozens of self-portraits, Kahlo examined the conventional and unconventional roles with which she attempted to identify. Ankori's...

Drawing together an international group of scholars from a variety of disciplinary and cultural backgrounds, Colonialism and the Object explores the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation.

The book includes intensive case-studies of objects from India, Pakistan, New Zealand, China and Africa, all of which were collected by, or exhibited in, the institutions of the British Empire, and key chapters address issues of radical identity across cultural barriers, and the hybird styles of objects which...

This is the first book to examine the connections between diaspora - the movement, whether forced or voluntary, of a nation or group of people from one homeland to another - and its representations in visual culture. Two foundational articles by Stuart Hall and the painter R.B. Kitaj provide points of departure for an exploration of the meanings of diaspora for cultural identity and artistic practice.

A distinguished group of contributors, who include Alan Sinfield, Irit Rogoff, and Eunice Lipton, address the rich complexity of diasporic cultures and art, but with a focus on the...