Kategoria BISAC: Art >> History - General

The art of William Ingham demonstrates how the modernist tradition, specifically Abstract Expressionism, has flourished in the Pacific Northwest. This lavishly illustrated volume brings to a wider audience the Seattle-born artist's highly gestural and vividly colored abstract paintings. Exploring gesture, form, scale, color, touch, and texture, Ingham's paintings are exuberant statements.

Tracing the artist's evolution through detailed analyses of individual works, distinguished art critic Matthew Kangas builds the case for Ingham's significance and, in so doing, broadens the...

Readers who fell in love with The Eighth Lively Art will delight in the stories and profiles that the painter and paleontologist Wesley Wehr has collected in this follow-up to his earlier memoir of Pacific Northwest artistic and intellectual life in the 1950s and 1960s. Above all, these are Wehr's accounts, distilled by passionate recollection, of what some remarkable artists and thinkers brought out in him and in each other--stories of creative people and how they inspired, influenced, challenged, and occasionally infuriated one another.

Hailed as a landmark in its field since its first publication in 1984, Denis E. Cosgrove's Social Formation and Symbolic Landscape has been influential well beyond geography. It has continued to spark lively debate among historians, geographers, art historians, social theorists, landscape architects, and others interested in the social and cultural politics of landscape.

Famous for iconic images of the rural Midwest such as American Gothic, Politics in Missouri, and Baptism in Kansas Grant Wood, Thomas Hart Benton, and John Steuart Curry have long been lumped together under the rubric the "Regionalists." James M. Dennis offers a fresh and sophisticated look at the modernist tendencies of this trio of American painters, arguing that the individual styles of Wood, Benton, and Curry were both mislabeled and misunderstood. Revisiting the artistic and political culture of America between the World Wars, he shows that critics and ideologues...

This compelling book brings together physicians, artists, and scholars of film, literature, philosophy, art, and politics to discuss the representation of the corpse in Western culture. Spanning a timeline from the Renaissance to the present, these essays introduce readers to a modern autopsy, a public execution and dissection in seventeenth-century England, the genre of postmortem photography, the corpse as artist's model, images of dead women in such popular films as Copycat and The Silence of the Lambs, and post-mortem scenes in the works of Flaubert, Balzac, Andres...

This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present.

"An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together."--John Walsh, former director, J. Paul Getty Museum

"Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . It is] the essential book...

In this insightful book, which is a revisionist math history as well as a revisionist art history, Tony Robbin, well known for his innovative computer visualizations of hyperspace, investigates different models of the fourth dimension and how these are applied in art and physics. Robbin explores the distinction between the slicing, or Flatland, model and the projection, or shadow, model. He compares the history of these two models and their uses and misuses in popular discussions. Robbin breaks new ground with his original argument that Picasso used the projection model to invent cubism,...