A general overview of the theoretical and institutional history of the discipline of art history. Refuting the image of art history as a discipline in crisis, Preziosi asserts that many of the dilemmas and contradictions of art history today are not new but can be traced back to problems surrounding the founding of the discipline, its institutionalization, and its academic expansion since the 1870s. "Donald Preziosi has written a timely and incisive study of the methods and assumptions of art history in the modern period. As the book unfolds, one realizes that art history was never as...
A general overview of the theoretical and institutional history of the discipline of art history. Refuting the image of art history as a discipline in...
By juxtaposing issues and problems, Donald Preziosi's latest collection of essays, In the Aftermath of Art, opens up multiple interpretive possibilities by bringing to the surface hidden resonances in the implications of each text. In re-reading his own writings, Preziosi opens up alternatives to contemporary discourses on art history and visual culture. A critical commentary by critic, historian, and theorist Johanne Lamoureux complements the author's own introduction, mirroring the multiple interpretations within the essays themselves.
By juxtaposing issues and problems, Donald Preziosi's latest collection of essays, In the Aftermath of Art, opens up multiple interpretive p...
By juxtaposing issues and problems, Donald Preziosi's latest collection of essays, In the Aftermath of Art, opens up multiple interpretive possibilities by bringing to the surface hidden resonances in the implications of each text. In re-reading his own writings, Preziosi opens up alternatives to contemporary discourses on art history and visual culture. A critical commentary by critic, historian, and theorist Johanne Lamoureux complements the author's own introduction, mirroring the multiple interpretations within the essays themselves.
By juxtaposing issues and problems, Donald Preziosi's latest collection of essays, In the Aftermath of Art, opens up multiple interpretive possibiliti...
The classic diner is an icon of the American roadside. As cars were mass-produced, so were these aluminum gems, whose metal bodies and neon signs came to characterize modernity in the mid-twentieth century. From the 1920s to the 1950s, these eye-catching eateries promoted themselves on many giveaway matchcovers and postcards. Today, these highly collectible pieces of ephemera provide a colorful visual record of diners from all over the country. Nearly 450 examples are included here, along with a history of the diner and related information about postcards and matchcovers of the era. Enjoy a...
The classic diner is an icon of the American roadside. As cars were mass-produced, so were these aluminum gems, whose metal bodies and neon signs came...
What begins as a meditation on "the museum" by one of the world's leading art historians becomes, in this book, a far-reaching critical examination of how art history and museums have guided and controlled not only the way we look at art but the ways in which we understand modernity itself. Originally delivered as the 2001 Slade Lectures in the Fine Arts at Oxford University, the book makes its deeply complex argument remarkably accessible and powerfully clear. Concentrating on a period from the beginning of the nineteenth century to the beginning of the twentieth, Donald Preziosi presents...
What begins as a meditation on "the museum" by one of the world's leading art historians becomes, in this book, a far-reaching critical examination of...
Machines called Mutoscopes offered quick shows for a penny from 1895 until as late as the 1970s, flipping cards to create the impression of a "moving picture." Associated with amusement piers and parks, and men's restrooms, these machines were notorious as proprietors of cheap peeps. During the 1940s, the International Mutoscope Reel Company began to manufacture coin-operated vending machines that served up 5-1/4" x 3-1/4"cards for collectors, usually of "pin-up" material. These cards are widely collected today, and a wonderful source of inspiring low-brow artwork. This comprehensive...
Machines called Mutoscopes offered quick shows for a penny from 1895 until as late as the 1970s, flipping cards to create the impression of a "moving ...
Art, Religion, Amnesia addresses the relationship between art and religion in contemporary culture, directly challenging contemporary notions of art and religion as distinct social phenomena and explaining how such Western terms represent alternative and even antithetical modes of world-making.
In this new book, Professor Preziosi offers a critique of the main thrust of writing in recent years on the subjects of art, religion, and their interconnections, outlining in detail a perspective which redefines the basic terms in which recent debates and discussions have been articulated both...
Art, Religion, Amnesia addresses the relationship between art and religion in contemporary culture, directly challenging contemporary notions of ar...
Art Is Not What You Think It Is utilizes original research to present a series of critical incursions into the current state of debate on the idea of art, making manifest what has been largely missing or unsaid in those discussions.
Links museology, history, theory, and criticism to the realities of contemporary social conditions and shows how they have structurally functioned in a variety of contexts
Deals with divisive and controversial problems such as blasphemy and idolatry, and the problem of artistic truth
Addresses relations between...
Art Is Not What You Think It Is utilizes original research to present a series of critical incursions into the current state of debate on the i...
This text interrogates the fundamental assumptions fuelling many current controversies over representation, idolatry, blasphemy and political culture.
This text interrogates the fundamental assumptions fuelling many current controversies over representation, idolatry, blasphemy and political culture....
