A definitive edition of perhaps the greatest short story collection in the English language

James Joyce's Dubliners is a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century. These fifteen stories, including such unforgettable ones as "Araby," "Grace," and "The Dead," delve into the heart of the city of Joyce's birth, capturing the cadences of Dubliners' speech and portraying with an almost brute realism their outer and inner lives. Dubliners is Joyce at his most accessible and most profound, and this edition is the definitive...

"A nocturnal state...That is what I want to convey: what goes on in a dream, during a dream." The work, which would exhaust two decades of his life and the odd resources of some sixty languages, culminated in the 1939 publication of Joyce's final and most revolutionary masterpiece, Finnegans Wake.

A story with no real beginning or end (it ends in the middle of a sentence and begins in the middle of...

The first, shortest, and most approachable of James Joyce's novels, A Portrait of the Artist as a Young Man portrays the Dublin upbringing of Stephen Dedalus, from his youthful days at Clongowes Wood College to his radical questioning of all convention. In doing so, it provides an oblique self-portrait of the young Joyce himself. At its center lie questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive in style,...

Perhaps the greatest short story collection in the English language, James Joyce's Dubliners is both a vivid and unflinching portrait of "dear dirty Dublin" at the turn of the twentieth century and a moral history of a nation and a people whose "golden age" has passed. His richly drawn characters--at once intensely Irish and utterly universal--may forever haunt the reader. In mesmerizing writing that evokes rich imagery, Joyce delves into the heart of the city of his birth,...

Although James Joyce began these stories of Dublin life in 1904, when he was 22, and had completed them by the end of 1907, they remained unpublished until 1914 -- victims of Edwardian squeamishness. Their vivid, tightly focused observations of the life of Dublin's poorer classes, their unconventional themes, coarse language, and mention of actual people and places made publishers of the day reluctant to undertake sponsorship.
Today, however, the stories are admired for their intense and masterly dissection of "dear dirty Dublin," and for the economy and grace with which Joyce invested...