The post-revolutionary Mexican literary canon was formed by cultural and political elites who sought to identify and reward those novels which would best represent the new nation. Reviewers found what they were looking for in Gregorio Lopez y Fuentes' "El indio" (1935) for example, but not in Consuelo Delgado's "Yo tambien, Adelita" (1936). This groundbreaking study provides a fresh perspective on canon formation by uncovering the circumstances and readings which produced a male-dominated Mexican literary canon."

Written by leading scholars in the field, this collection analyzes the notion of travel writing as a genre, while tracing significant examples of Mediterranean travel writing that return us to Ancient Greece, to Medieval pilgrimages, to Venetians' diplomatic missions, to an Egyptian's account of Paris in the nineteenth century, to French artistic journeys in North Africa and to contemporary narratives of privileged resettlement, death, and dislocation.

This volume takes Dante's rich and multifaceted discourse of desire, from the Vita Nova to the Commedia, as a point of departure in investigating medieval concepts of desire in all their multiplicity, fragmentation and interrelation.

Certain words played a crucial role in the making of the European Renaissance, and still recur today in our shifting understanding of it. Discretion and grace, to take two examples studied here, express how individuals thought about themselves, each other and their experience of the world, yet they are as hard to define as they are ever-present in Renaissance discourse. In this collection of essays, scholars from across the Humanities offer new interpretations of these and other 'keywords', to adopt Raymond Williams's term, and investigate the vocabulary that not only accompanied, but also...

"Women, Genre and Circumstance" brings together a series of challenging essays which explore the complex intersections of feminism, narrative and genre. Drawing on a wide range of 19th and 20th century texts novels, short stories and films they interrogate the relationship between womens situation and writing practice, and representations of history, memory, love, old age; they pursue questions of narrative form and its meanings, particularly the distinctive features of the short story. The politics of feminist criticism and careful attention to the operations of narrative combine in a...

One of many writers inspired by Laurence Sterne's Tristram Shandy, the German novelist Jean Paul Richter coined the term 'Shandean humour' in his work of aesthetic theory. The essays in this volume investigate how Sterne's humour functions, the reasons for its enduring appeal, and what role it played in identity-construction and in the representation of melancholy. In tracing its hitherto under-recognised impact both on literary writers, such as Jean Paul and Herman Melville, and on philosophers, including Hegel and Marx, the collection reveals that Shandean humour is a GrenzgAnger - a point...

One of the many aspects that make Marcel Proust's "A la recherche du temps perdu" such a complex and subtle work is its engagement with metaphysical questions. The disparate nature of the narrator's experiences, hypotheses, and statements has generated a number of conflicting interpretations, based on parallels with the thought of one or another philosopher from Plato to Leibniz, Spinoza, Schopenhauer, Nietzsche, Bergson, or Deleuze. Through the analysis of the narrator's two seemingly incompatible perceptions of the world, which reveal reality to be either one or infinitely multiple, Erika...

Translation often proceeds as if languages already existed, as if the task of the translator were to make an appropriate selection from available resources. Clive Scott challenges this tacit assumption. If the translator is to do justice to himself/herself as a reader, if the translator is to become the creative writer of his/her reading, then the language of translation must be equal to the translators perceptual experience of, and bodily responses to, source texts. Each renewal of perceptual and physiological contact with a text involves a renewal of the ways we think language and use our...

Essays, short stories and poems by eminent creative writers, critics and scholars from three continents celebrate the literary achievements of Barbara Hardy, the foremost exponent of close critical reading in the latter half of the twentieth century and today. Her work, as the essays in the volume bear witness, encompasses 19th and 20th century British fiction, poetry, and Shakespeare. In addition to an introduction outlining and assessing Hardy's career and writing, there is an extensive bibliography of her work.
Comparatively short, concise essays, stories and poems by twenty...

A fascination with childhood unites the artist Louise Bourgeois (1911-2010) and the writers Samuel Beckett (1906-89) and Marcel Proust (1871-1922). But while many commentators have traced their childhood images back to memories of lived experiences, there is more to their mythologies of childhood that waits to be explored. They invite us to move away from familiar ideas -- whether psychological or biographical -- about what a child can represent, and even what a child is.
The haunting child figures of Bourgeois, Beckett and Proust echo each other as they show how imagining origins -- for...