The Pirc is an ambitious counter-attacking response to White's most popular opening move, 1 e4. James Vigus provides an up-to-date appraisal of the Pirc and its many variations. Using illustrative games, he examines the traditional main lines, the fashionable alternatives and the tricky sidelines, while outlining the typical tactical and positional ideas for both White and Black. A study of this book will allow the reader to begin playing the Pirc with confidence in his or her own games.*Essential coverage of a dynamic opening*Written by a Pirc expert*Ideal for club and tournament players

In this volume, thirteen essays examine the full breadth and variety of Coleridge's afterlives. Topics include philosophy, gender, imagination, American literature, South Asian literature, aesthetics, narrative, and poetry. It offers new research to the scholar, maps complex territory, and spans traditional period barriers in literary studies.

The Slav has a well-deserved reputation as one of Black s strongest answers to 1 d4, and it s no coincidence that it has been used by almost all the World Champions in chess history. Put simply, the Slav is a classy opening, one which combines reliability with the promise of dynamic counterplay.In this book, James Vigus presents a comprehensive and trustworthy repertoire for Black. He outlines the main ideas for both sides and highlights the tactics to watch out for. This book will provide you with enough knowledge and skill to play the Slav with confidence in your own games."

The ambivalent curiosity of the young poet Samuel Taylor Coleridge (1772-1834) towards Plato -- 'but I love Plato -- his dear gorgeous nonsense ' -- soon developed into a philosophical project, and the mature Coleridge proclaimed himself a reviver of Plato's unwritten or esoteric 'systems'. James Vigus's study traces Coleridge's discovery of a Plato marginalised in the universities, and examines his use of German sources on the 'divine philosopher', and his Platonic interpretation of Kant's epistemology. It compares Coleridge's figurations of poetic inspiration with models in the Platonic...

Are you tired of playing the same old openings again and again? Perhaps it's time for a change. This book features three opening experts who get together to take a look at the Dutch Defense, one of Black's most ambitious answers to 1 d4. It presents the Dutch defense in a different light.

It is usually assumed that the only British Romantic writer who engaged meaningfully with German philosophy was S. T. Coleridge. This edition disproves that assumption. The book collects thirteen essays and one set of lecture notes written by Henry Crabb Robinson during his period in Germany (1800-1805). Robinson, though generally considered no more than a reporter on the activities of more eminent friends, in fact wrote a series of 'Letters on the Philosophy of Kant', distinguished for their clarity, accuracy, and liveliness. Furthermore, his lecture notes on Schelling and German aesthetics...

One of many writers inspired by Laurence Sterne's Tristram Shandy, the German novelist Jean Paul Richter coined the term 'Shandean humour' in his work of aesthetic theory. The essays in this volume investigate how Sterne's humour functions, the reasons for its enduring appeal, and what role it played in identity-construction and in the representation of melancholy. In tracing its hitherto under-recognised impact both on literary writers, such as Jean Paul and Herman Melville, and on philosophers, including Hegel and Marx, the collection reveals that Shandean humour is a GrenzgAnger - a point...