Kategoria BISAC: Philosophy >> Movements - Phenomenology

Diese kurze Geschichte des Husserl-Archivs beleuchtet die Grundung und Entwicklung dieses bedeutenden philosophischen Forschungsinstituts und die damit verbundene Erschliessung von Husserls Nachlass und Edition seines Werkes. Pater Van Bredas personliche Aufzeichnungen schildern die dramatische Rettung von Husserls Nachlass und die Entstehung des Husserl-Archivs am Vorabend des zweiten Weltkrieges. Im Mittelpunkt der von Thomas Vongehr zusammengestellten Ubersicht uber die weitere Entwicklung des Archivs steht die Geschichte der Erschliessung und Rezeption des Nachlasses und seiner...

The challenge presented by the recent tendencies to "naturalize" phenomenology, on the basis of the progress in biological and neurological sciences, calls for an investigation of the traditional mind-body problem. The progress in phenomenological investigation is up to answering that challenge by placing the issues at stake upon a novel platform, that is the ontopoiesis of life.

The present collection of studies extends our investigation (see Analecta Husserliana vol. 93) by seeking the ontopoietic continuity of sense between the vitally and spiritually significant functions of...

Transcendental phenomenology presumed to have overcome the classic mind-body dichotomy in terms of consciousness. Should we indeed dissolve the specificity of human consciousness by explaining human experience in its multiple sense-giving modalities through the physiological functions of the brain? The present collection of studies addresses this crucial question challenging such "naturalizing" reductionism from multiple angles.

The Thin Red Line is the third feature-length film from acclaimed director Terrence Malick, set during the struggle between American and Japanese forces for Guadalcanal in the South Pacific during World War Two. It is a powerful, enigmatic and complex film that raises important philosophical questions, ranging from the existential and phenomenological to the artistic and technical.

This is the first collection dedicated to exploring the philosophical aspects of Malick's film. Opening with a helpful introduction that places the film in context, five essays, four of...

This book draws upon the phenomenological tradition of Husserl and Heidegger inorder to provide an alternative elaboration of John McDowell's thesis that in order to understand how self-conscious subjectivity relates to the world, perception must be understood as a genuine unity of spontaneity ('concept') and receptivity ('intuition'). This alternative elaboration permits clarification of McDowell's critique of Donald Davidson and development of an alternative conception of perceptual experience giving clear sense to McDowell's claim that self-conscious subjectivity is so inherently in...

If Edmund Husserl's true philosophy lay in his unpublished research manuscripts, as he argues, then it is in these - rather than the "introductions" and fragmentary studies he published during his lifetime - that we may possibly find a systematic of his philosophy. This work constitutes a study of the full range of Husserl's writings with the special task of uncovering there the systematic presentation or presentations of the transcendental phenomenological problematic. Sandmeyer's study contains an overview of Husserl's total set of writings, a translation of Husserl correspondence with...

Consciousness has long been regarded as the biggest stumbling block for physicalism, the view that the mind is physical. The controversy has gained focus over the last few decades, and phenomenal knowledge and phenomenal concepts-knowledge of consciousness and the...

This book provides a short introduction to Husserlian Phenomenology by Husserl himself. Husserl highly regarded his work "The Basic Problems of Phenomenology" as basic for his theory of the phenomenological reduction. He considered this work as equally fundamental for the theory of empathy and intersubjectivity and for his theory of the life-world. Further, with the appendices, it reveals Husserl in a critical dialogue with himself.