Listening and Voice is an updated and expanded edition of Don Ihde's groundbreaking 1976 classic in the study of sound. Ranging from the experience of sound through language, music, religion, and silence, clear examples and illustrations take the reader into the important and often overlooked role of the auditory in human life. Ihde's newly added preface, introduction, and chapters extend these sound studies to the technologies of sound, including musical instrumentation, hearing aids, and the new group of scientific technologies which make infra- and ultra-sound available to human...

Historically, philosophy has been the point of origin of the various sciences. However, once developed, the sciences have increasingly become autonomous, although often taking some paradigm from leading philosophies of the era. As aresult, in recent times the relationship of philosophy to the sciences has been more by way of dialogue and critique than a matter of spawning new sciences. This volume of the Selected Studies brings together a series of essays which develop that dialogue and critique with special reference to the insights of phenomenological philosophy. Phenomenology in its own...

A revised form of phenomenology, postphenomenology aims to overcome the limitations of subjectivism and its largely dystopian stance toward science and technology. Timely and insightful, this book provides a useful introduction to postphenomenology, asking how it can effectively transform classical phenomenology into a new and concrete reflection upon technoscience. Tracing the modern history of phenomenology, pragmatism, and philosophy of science, Don Ihde proposes a reframing of phenomenology to better suit today's contemporary world. An excellent overview of the recent history of the...

While some people think that our new technologies which texture our lifeworld disembody human experience, and while others think that eventually we will be able to 'upload' our very embodiment into these technologies, this collection of chapters takes a close postphenomenological account of a myriad of these technologies as we interface with them. Beginning with cinema and the "Matrix Trilogy," then on to both ancient and new musical instrumentalities, romping with robots, venturing into radical imaging technologies which depict phenomena beyond human sensory capacity, and working with both...

Heidegger is the only thinker of his generation whose philosophy of technology is still widely read today. In it, he made three basic claims. First, he asserted that the essence of technology is not technological--that technology is not a neutral instrumentality. Second, he claimed that there is a qualitative difference between modern and traditional technologies. Third and most interestingly, he claimed that technology is a metaphysical perspective, a paradigmatic view of the whole of nature. Although Martin Heidegger remains recognized as a founder of the philosophy of technology, in the...

Heidegger is the only thinker of his generation whose philosophy of technology is still widely read today. In it, he made three basic claims. First, he asserted that the essence of technology is not technological--that technology is not a neutral instrumentality. Second, he claimed that there is a qualitative difference between modern and traditional technologies. Third and most interestingly, he claimed that technology is a metaphysical perspective, a paradigmatic view of the whole of nature. Although Martin Heidegger remains recognized as a founder of the philosophy of technology, in the...