Kategoria BISAC: Performing Arts >> Film - Direction & Production

One of the most successful and critically acclaimed authors in Britain, Patrick McGrath has also been a key figure in the recent resurgence of interest in the Gothic. This book, the first full-length study of McGrath and his work, looks at McGrath s writing through the lens of the Gothic, showing how he has pushed the boundaries of the genre, using the conventional trappings of the Gothic in creative, even parodic new ways. Drawn in part from interviews with McGrath, some previously unpublished, the book not only sets McGrath s work in the context of the Gothic tradition and his own times,...

John Hughes is the acclaimed writer and director of Ferris Bueller's Day Off, The Breakfast Club, Weird Science, Pretty In Pink and many other classic movies of the 1980s.

This book is the first full-length analysis of all of John Hughes's films throughout the 1980s; not only the features that he directed, but also those for which he provided the screenplay. By analysing these pictures and discussing their social and cultural significance in the wider context of the decade, Hughes's importance as a filmmaker will be considered, and his prominent...

One of John Hughes's most charmingly offbeat films, Ferris Bueller's Day Off is certainly among the most overtly humorous of his canon of teen movies. It is also one of his best-remembered, its profile challenged only by the acclaimed The Breakfast Club which was released the year beforehand. Contrasting perfectly with the more serious, issue-based tone of Pretty in Pink which immediately preceded it in the same year, Hughes's wittily incisive dialogue was never as razor-sharp as when delivered by the smart-mouthed high school slacker Ferris...

Scandinavia's foremost living auteur and the catalyst of the Dogme95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure. Willfully devastating audiences, he takes risks few filmmakers would conceive, mounting projects that somehow transcend the grand follies they narrowly miss becoming. Challenging conventional limitations and imposing his own rules, he restlessly reinvents the film language. The Danish director has therefore cultivated an insistently transnational cinema, taking inspiration from sources that range from the European avant-garde...

George A. Romero (b. 1940) has achieved a surprising longevity as director since his first film, Night of the Living Dead (1968). After recently relocating to Canada, he shows no signs of slowing up: his recent film, Survival of the Dead (2009), is discussed in a new interview conducted by Tony Williams for this volume, and still other films are awaiting release. Although commonly known as a director of zombie films, a genre he himself launched, Romero's films often transcend easy labels. His films are best understood as allegorical commentaries on American life that just...

By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s),...

By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s),...