Scholarly and popular interest in British cinema has never been stronger, with films ranging from the Merchant/Ivory pictures through "Notting Hill" finding both critical and commercial success in America. As such, "The Guide to British Cinema" represents an invaluable guide to the nation's cinematic output, including entries on major British actors, directors, and films from 1929 through the present day. The volume also highlights both major cycles such as the Gainsborough melodrama, the Ealing comedy, and the British new wave; as well as less well-defined cycles including the vein of...
Scholarly and popular interest in British cinema has never been stronger, with films ranging from the Merchant/Ivory pictures through "Notting Hill...
When viewers think of film noir, they often picture actors like Humphrey Bogart playing characters like Sam Spade in "The Maltese Falcon," the film based on the book by Dashiell Hammett. Yet film noir is a genre much richer. The authors first examine the debate surrounding the parameters of the genre and the many different ways it is defined. They discuss the Noir City, its setting and backdrop, and also the cultural (WWII) and institutional (the House UnAmerican Activities Committee, and the Production Code Administration) influences on the subgenres. An analysis of the low budget and...
When viewers think of film noir, they often picture actors like Humphrey Bogart playing characters like Sam Spade in "The Maltese Falcon," the film...
From The Story of the Kelly Gang in 1906 to the Lord of the Rings trilogy, Australia and New Zealand have made a unique impact on international cinema. This book celebrates the commercially successful narrative feature films produced by these cultures as well as key documentaries, shorts, and independent films. It also invokes issues involving national identity, race, history, and the ability of two small film cultures to survive the economic and cultural threat of Hollywood. Chapters on well known films and directors, such as The Year of Living Dangerously (Peter Weir,...
From The Story of the Kelly Gang in 1906 to the Lord of the Rings trilogy, Australia and New Zealand have made a unique impact on intern...
This book represents a new way of thinking about Australian cinema by asking where the origins of the new film lie. It begins by tracing the indebtedness of Australian cinema to the classical narrative style of Hollywood filmmaking, with its firm grasp of melodrama. Several films are studied in detail within this framework, including Picnic at Hanging Rock, Blood Oath, The Empty Beach, and Shame. The book continues by comparing the problems faced by "high" British cinema of the 1940s and 1950s with those faced by Australian cinema of the 1970s and the 1980s in the attempts by both countries...
This book represents a new way of thinking about Australian cinema by asking where the origins of the new film lie. It begins by tracing the indebtedn...
"Really refreshing...treated with perception and intelligence " Barry Forshaw, Crime Time 2005 No 43 This book traces the career of Roy Ward Baker, one of the great survivors of the British film and television industry. He directed the landmark British film Morning Departure (1949), worked at Twentieth Century Fox in Hollywood in the early 1950s where he directed Marilyn Monroe's 'breakthrough' film (Don't Bother to Knock), and followed this with a succession of fine films for Rank, culminating in the best version of the Titanic disaster, A Night to Remember in 1958. Yet within three years he...
"Really refreshing...treated with perception and intelligence " Barry Forshaw, Crime Time 2005 No 43 This book traces the career of Roy Ward Baker, on...
