The Huguenots were a religious minority in France who fought during the second half of the sixteenth century for their Protestant (Calvinist) beliefs, and to whom concessions were granted by the crown with the Edict of Nantes in 1598. The Huguenots continued to enjoy their privileged status until the Edict was revoked in 1685. This collection of essays explores the character and identity of the Huguenot movement by examining their institutions, patterns of belief and worship, and interaction with French state and society.

The Huguenots were a religious minority in France who fought during the second half of the sixteenth century for their Protestant (Calvinist) beliefs, and to whom concessions were granted by the crown with the Edict of Nantes in 1598. The Huguenots continued to enjoy their privileged status until the Edict was revoked in 1685. This collection of essays explores the character and identity of the Huguenot movement by examining their institutions, patterns of belief and worship, and interaction with French state and society.

Leading historians explore the many dimensions of sacred space (churches and chapels, pilgrimage sites, holy wells) during and after the religious upheavals of the early modern period through a variety of contexts and Christian religious divisions. Based on original research, these essays provide new insights into the definition and understanding of sanctity in the post-Reformation era and make an important contribution to the study of sacred space.

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties.

An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society.

Five chapters are devoted to...

European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and...

Was there such a thing as 'public opinion' before the age of newspapers and party politics? The essays in this collection show that in the Low Countries, at least, there certainly was. In this highly urbanised society, with high literacy rates and good connections, news and public debate could spread fast in the sixteenth and seventeenth centuries, enabling the growth of powerful opposition movements against the Crown, the creation of the Dutch Republic, and of the distinctive Netherlandish culture of the Golden Age. Contributors include: Hugh Dunthorne, Raingard Esser, Jonathan Israel,...

Film noir--literally "black cinema"--is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The...

This is an authoritative account of the career of Sydney Box, one of British cinema's most successful and significant producers. Concentrating on the period 1940-65, it highlights the crucial but often misunderstood role that the producer plays in the film making process and, using largely unpublished material, affords an exceptional insight into the workings of the film industry
Box's career was exceptionally varied and this study analyses the work of his company Verity Films which wartime produced over 100 short propaganda films during the Second World War, as well as Box's work as a...

Leading historians explore the many dimensions of sacred space (churches and chapels, pilgrimage sites, holy wells) during and after the religious upheavals of the early modern period through a variety of contexts and Christian religious divisions. Based on original research, these essays provide new insights into the definition and understanding of sanctity in the post-Reformation era and make an important contribution to the study of sacred space.

"The best entry yet in the British Film Makers series, this is an astonishingly detailed work. A truly remarkable achievement, it brings Britain's post-war film industry vividly to life. " Howard Maxford, Film Review An authoritative account of the career of Sydney Box, (1940-1965), one of British cinema's most successful and significant producers. This study highlights the crucial but often misunderstood role that the producer plays in the film making process and, using largely unpublished material, affords an exceptional insight into the workings of the film industry during one of its most...