Kategoria BISAC: Music >> Recording & Reproduction

This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record s production, from pre-production through recording (audio engineering), mixing, mastering, to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process.

This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative and professional contexts. Each volume in the series thus focuses directly on a distinct aesthetic "moment" in a record s production, from pre-production through recording (audio engineering), mixing, mastering, to marketing and promotions. This first volume in the series, titled Mixing Music, focuses directly on the mixing process.

Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet.

Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the...

Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet.

Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the...

This book is also available as a pdf download for $15 from my website DingDingMusic.com/Manuals

The first Pro Tools 12 Book

"Pro Tools First 12 - How it Works" is not only the first (and only) book for the free version of Pro Tools, it is also the first book for version 12 of Pro Tools.
The book is not just a quick introduction, it covers all the features of Pro Tools First in great details. Because Pro Tools First contains about 80% of the features and functionality of the standard Pro Tools app, you can also use it to start learning the...

It was a time when music fans copied and traded recordings without permission. An outraged music industry pushed Congress to pass anti-piracy legislation. Yes, that time is now; it was also the era of Napster in the 1990s, of cassette tapes in the 1970s, of reel-to-reel tapes in the 1950s, even the phonograph epoch of the 1930s. Piracy, it turns out, is as old as recorded music itself.

Sonic Intimacy addresses and establishes the new concept of "sonic intimacy" as a key term through which sound, human, and technological relations can be assessed and understood in relation to capitalism: what is sonic intimacy, how it is changing, and what is at stake in its transformation? Analyzing "sonic intimacy" through key case studies of three alternative music technologies of the black Atlantic (sound systems, pirate radio, and YouTube) James addresses in particular the aural transmission of care (intimacies), the internal (intimate) affects of sound and the collective...

Sonic Intimacy addresses and establishes the new concept of sonic intimacy as a key term through which sound, human, and technological relations can be assessed and understood in relation to capitalism: what is sonic intimacy, how it is changing, and what is at stake in its transformation? Analyzing sonic intimacy through key case studies of three alternative music technologies of the black Atlantic (sound systems, pirate radio, and YouTube) James addresses in particular the aural transmission of care (intimacies), the internal (intimate) affects of sound and the collective affect...

Today's musicians and engineers have many high quality and low cost software-based mastering tools available to them, but the challenge is to understand those tools and learn to use them wisely.

Redesigned and updated to reflect both...