Kategoria BISAC: Music >> Genres & Styles - International

Allen embraced the drum set, rather than African handheld drums, early in his career, when drum...

Allen embraced the drum set, rather than African handheld drums, early in his career, when drum...

Musical identity raises complex, multifarious, and fascinating questions. Discussions in this new study consider how individuals construct their musical identities in relation to their experiences of formal and informal music teaching and learning. Each chapter features a different case study situated in a specific national or local socio-musical context, spanning 20 regions across the world. Subjects range from Ghanaian or Balinese villagers, festival-goers in Lapland, and children in a South African township to North American and British students, adults and children in a Cretan brass...

The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend...

From the sounds of reggae in the Caribbean to the dance club beat of Ibiza, islands tend to develop a unique musical culture. What does the music of Cuba or Trinidad tell us about the islands themselves and their inhabitants? Is there something unique about island music? How does island music differ from its mainland counterparts? What is the role of "world music," global tourism, films, and travel writing in constructing a fanciful image of island life? Drawing on a range of examples from around the globe, this book examines the culture of island music and offers insight into local...

The discussion centered upon three different events occurring roughly simultaneously. The first was Rameau's formulation of the principle of the fundamental bass, which explained the structure of chords and their progression. The...

In Italy during the late cinquecento, printed music could be found not only in the homes of the wealthy or the music professional, but also in lay homes, courts, and academies. No longer confined to the salons of the elite, music took on the role of social play and recreation. Paul Schleuse examines these new musical forms through a study of the music books of Italian priest, poet, and composer, Orazio Vecchi. Composed for minor patrons and the wider music-buying public, Vecchi's madrigals took as their subjects game-playing, drinking, hunting, battles, and the life of the street. Schleuse...