The Musical Culture of Silesia Before 1742: New Contexts - New Perspectives

ISBN-13: 9783631634141 / Angielski / Twarda / 2013 / 335 str.

Pawel Gancarczyk;Lenka Hlavkova-Mrackova

Opis

The volume includes detailed studies concerning various aspects of the musical culture of Silesia from the fifteenth to mid-eighteenth centuries. The authors, who represent academic centres in Poland, Czech Republic, Germany, Slovakia, Holland, France and Great Britain, present new sources, as well as reinterpreting previously known facts and phenomena. What makes the approach here so original is that it takes into account the wider context of musical culture in Silesia, not limited to examining it exclusively in relation to the Polish, Czech or German cultures. Here we can see Silesia as one of the regions of Central Europe, and not merely as a western province of Poland, northern province of the Czech Kingdom, or eastern province of Prussia.

Spis treści

Contents: Elzbieta Witkowska-Zaremba: Early Keyboard Music in Sources from Prague and Silesia - Veronika M. Mrácková: The Silesian Tradition of Hymns to Czech Saints - Jan Ciglbauer: Two Alleluia Chants in Nicolaus Cosel's Manuscript: On the Creation of New Liturgical Music in 15th-Century Central Europe - Pawel Gancarczyk: A New Fragment of 15th-Century Polyphony in Silesia and the Tradition of the Central-European Repertory - Lenka Hlávková-Mrácková: Die Saganer Stimmbücher (Das Glogauer Liederbuch) und die Traditionen des polyphonen Liedes in Mitteleuropa - Jaap van Benthem: Die Saganer Stimmbücher (Das Glogauer Liederbuch): eine unbeachtete Quelle für Johannes Tourout? - Jacobijn Kiel: Two Anonymous Salve Settings in Warszawa, Biblioteka Uniwersytecka, RM 5892 - Christian Thomas Leitmeir: Lutheran Propers for Wroclaw/Breslau: The Cantus Choralis (1575) of Johannes Knöfel - Marc Desmet: Jacob Handl's Compositions Preserved in the Brzeg Manuscript Collection: Presentation and Chronological Clues - Bernhold Schmid: Nach dir, Herr Christe, thut mein hertz verlangen. Ein unbekanntes Kontrafakt zu Jacob Regnarts Tutto lo giorno aus der Bibliothek des Gymnasiums in Brieg - Thomas Napp: Transferprozesse zwischen Görlitz und Breslau am Beispiel des Meistergesangs im ausgehenden 16. Jahrhundert - Janka Petöczová: The Role of Silesia in the Development of Musical Culture in the Towns of Spis/Zips and Saris/Scharosch - Paulina Halamska: Protestant Elite Milieu in the 17th-Century County of Klodzko/Glatz as Exemplified by the Family of the Wroclaw/Breslau Organist Tobias Zeutschner. Gloss to the Biography - Tomasz Jez: Jesuit Melodrama in Baroque Klodzko/Glatz - Barbara Przybyszewska-Jarminska: Marcin Mielczewski (d. 1651) and Alberik Mazák (1609-1661): A Silesian Perspective - Grzegorz Joachimiak: A Week in the Blacksmith's Life: Lutenists from Silesia and Bohemia around Count Losy von Losinthal (1650-1721) - Remigiusz Pospiech: Ein Schlesier aus Oppeln in Prag: Franz Ludwig Poppe (1671-1730) und seine Werke in tschechischen Sammlungen - Václav Kapsa: On the Way from Prague to Wroclaw: Sacred Music by Early 18th-Century Prague Composers in Silesia - Marc Niubo: Bernard Artophaeus and Bohuslav Mat j Cernohorský. Casual Examples of Czech Music in Baroque Silesia or the Last Traces of Music by Minorites in Wroclaw? - Dominika Grabiec: The Motif of «Deafening with Trumpets» in Central European Passion Iconography, the Religious Renewal Movement «Devotio moderna» and Reform of the Begging Monastic Orders - Martina Sárovcová: Choral Books from the Observant Franciscan Monastery in Wroclaw from the End of the 17th Century.

O autorze

Pawel Gancarczyk is Professor at the Institute of Art, Polish Academy of Sciences in Warsaw.
Lenka Hlávková-Mrácková is Director of the Institute of Musicology, Charles University in Prague.
Remigiusz Pospiech is Professor at the Department of Musicology, University of Wroclaw.