Kategoria BISAC: Literary Criticism >> Subjects & Themes - General

Die Virginal erzahlt als Jugendgeschichte Dietrichs von Bern von dessen ersten Abenteuern: der Befreiung der Konigin Virginal von einem grausamen Heidenkonig und zahlreichen weiteren Heiden-, Riesen- und Drachenkampfen. Dabei geht es um die Sozialisation des jungen Dietrich und die erfolgreiche Zusammenarbeit der Dietrichhelden, um die Bewertung von Minne und Aventiure und um einen "historisierenden" Hintergrund von Heidenkampfen und Kriegen.

Geboten wird eine handschriftennahe Neuausgabe der drei Versionen des aventiurehaften Dietrichepos ('Heidelberger', 'Wiener' und...

First published in 1972, this work examines the complex concept of metaphor. It defines the term by placing the various key ideas about the nature of metaphor in their literary and social context, and in doing so, it traces the developing history of the concept. This account has considerable range, beginning with Aristotle and ending with the work of modern linguist and anthropologists. From this analysis emerge two opposed yet complementary ideas: the classical view of metaphor, which sees metaphor as a detachable device imported into language, and the romantic view, which sees metaphor...

Wordplay involving several linguistic codes represents an important modality of ludic language. It is attested in different epochs, communicative situations, genres, and contexts of use. The translation of wordplay, which is generally seen as a challenging enterprise, illustrates another dimension of crossing linguistic borders in wordplay.

The third volume of the series The Dynamics of Wordplay unites contributions from different disciplines which study the creative and playful use of elements from different languages and the transfer of ludic language into other...

With contributions by:

Suparno Banerjee, Cait Coker, Jeshua Enriquez, Joan Gordon, Veronica Hollinger, Malisa Kurtz, Stephanie Li, Bradford Lyau, Uppinder Mehan, Graham J. Murphy, Baryon Tensor Posadas, Amy J. Ransom, Robin Anne Reid, Haerin Shin, Stephen Hong Sohn, Takayuki Tatsumi, and Timothy J. Yamamura

Isiah Lavender III's Dis-Orienting Planets amplifies critical issues surrounding the racial and ethnic dimensions of science fiction. This edited volume explores depictions of Asia and Asians in science fiction literature, film, and fandom with particular regard to...

The fact that Eliot disapproved of Romanticism is clear from his critical essays, where he often appears to reject it absolutely. However, Eliot's understanding of the term and his appreciation of literature developed and altered greatly from his adolescence to his years of scholarly study, yet he was never unable to dismiss Romanticism entirely as a critical issue. This study, first published in 1985, analyses Eliot's approach and criticism to Romanticism, with an analysis of The Waste Land, adding to the layers of its meaning, context and content to the poem. This title will be of...

In this fascinating and revealing book, first published in 1952, Maxwell shows the development of Eliot's poetry and poetic thought in the light of his political and religious attachments. This study traces Eliot's style from the earliest poems to the Quartets, and examines the characteristics of Eliot's earlier work adumbrate that of his maturity. The Poetry of T. S. Eliot is essential reading for students of literature.

In this study, first published in 1983, Professor Smith makes the argument that although The Waste Land is analogous in form to a musical composition that it is actually made of its literary echoes. He calls these a 'music of allusions' and shows the resemblance of this music in its evocativeness to the technique of Mallarme and the French symbolists. Smith also comments extensively on Eliot's critical theories as they bear on The Waste Land and traces the development of Eliot's allusive and transformational poetic form from its genesis in early work. This title will be of...

First published in 1988. Fredrick Tomlin and T. S. Eliot were friends for almost thirty-four years. What emerges from Fredrick Tomlin's memories and the many letters which passed between them is a private Eliot, seen only by his closest family and a trusted few. Tomlin evokes the man as he was - quite different in his humanity and in his humour from the public image of the 'great poet' and the austere sage. With fresh insights and personal testimony, Tomlin directs light onto aspects of Eliot's character and personality of which the public has been unaware, thereby enhancing the reader's...

The basis of this critical examination of Eliot's work, first published in 1973, is the investigation of his transmutation of this and other philosophical, mythological and religious motives into the textures of his verse. This book focuses on Eliot's peculiar eclectic approach to what he described as 'the Tradition'. It also recognises the fact that Eliot, for all his attempts at universality, was a product of time and place, and gives an account of the way in which his education and experience shaped his most important interests. This title will be of interest to students of...

This book, first published in 1991, supplies a neglected cultural context for T. S. Eliot's writings of the 1930s and 1940s, particularly Four Quartets, and attempts to disprove the widespread belief in Eliot's unproblematic commitment to England, and the 'Englishness'.

The book traces Eliot's classicism not only in linguistic and formalist terms but also in his construction of England in the Quartets and Quartets-related essays. His practice is related to the vigorous polemic concerning the definition of England found in the 1930s and 1940s, in material as...

Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero's The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie's ability to embody a variety of cultural anxieties--ecological disaster, social and economic collapse, political extremism--has ensured...