Kategoria BISAC: Literary Criticism >> Modern - 17th Century

In this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another -- glossing works, dismembering and reconstructing them, writing for and against one another -- while playing sophisticated games of literary one-upmanship.

The result was that literature in late Renaissance Spain was often more than a simple matter of source and imitation. It must be understood as a far more subtle, palimpsest-like process of forging endless series of texts from other texts, thus linking closely the practices of reading, writing, and rewriting....

No other American novelist has written so fully about language -- grammar, diction, the place of colloquialism and dialect in literary English, the relation between speech and writing -- as William Dean Howells. The power of language to create social, political, and racial identity was of central concern to Americans in the nineteenth century, and the implications of language in this regard are strikingly revealed in the writings of Howells, the most influential critic and editor of his age.

In this first full-scale treatment of Howells as a writer about language, Elsa Nettels offers...

First published between 1982 and 1983, this series examines the peculiarly American cultural context out of which the nation s literature has developed. Covering the years from 1620 to 1930, these four volumes present a coherent, consecutive and comprehensive sequence of interpretations of major American texts, including fiction, non-fiction, poetry and drama. Every chapter includes an extract from the chosen text which serves as a springboard for wider discussion and analysis. Each analysis demonstrates how students can move into and then from the pages of literature to a consideration of...

First published in 1969, this work traces the evolution of Romanticism and in doing so, demonstrates its novelty as an imaginative and emotional perception of the world in contrast to the rationalistic approach which was dominant in the seventeenth century. It identifies the fundamental similarities between Romantic writing in England, France and Germany as well as their differences brought about by divergent literary and social backgrounds. The book is concluded by a review of the problems that arise from a simple definition of Romanticism.

Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers.

This volume covers the period 1645-1714, and removes the traditional...