This analysis of Shakespeare's sonnets in relation to his plays asserts that the language of the sonnets is primarily performative rather than descriptive. It discusses the 1609 quarto of sonnets and the Petrarchan discourses in a selection of plays. David Schalkwyk addresses embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire in the published poems, on the stage and in the context of the early modern period.
This analysis of Shakespeare's sonnets in relation to his plays asserts that the language of the sonnets is primarily performative rather than descrip...
This analysis of Shakespeare's sonnets in relation to his plays asserts that the language of the sonnets is primarily performative rather than descriptive. It discusses the 1609 quarto of sonnets and the Petrarchan discourses in a selection of plays. David Schalkwyk addresses embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire in the published poems, on the stage and in the context of the early modern period.
This analysis of Shakespeare's sonnets in relation to his plays asserts that the language of the sonnets is primarily performative rather than descrip...
Peter Laslett's comment, in The World We Have Lost, that in the early modern period 'every relationship could be seen as a love-relationship' presents the governing idea of this book. In an analysis that includes Shakespeare's sonnets and a wide range of his plays from The Comedy of Errors to The Winter's Tale, David Schalkwyk looks at the ways in which the personal, affective relations of love are informed by the social, structural interactions of service. Showing that service is not a 'class' concept, but rather determined the fundamental conditions of identity across the whole society, the...
Peter Laslett's comment, in The World We Have Lost, that in the early modern period 'every relationship could be seen as a love-relationship' presents...
The Oxford Handbook of Shakespearean Tragedy is a collection of 54 essays by a range of scholars from all parts of the world, bringing together some of the best-known writers in the field with a strong selection of younger Shakespeareans.Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The collection is organised in five sections. The substantial opening section introduces the plays by placing them in a variety of...
The Oxford Handbook of Shakespearean Tragedy is a collection of 54 essays by a range of scholars from all parts of the world, bringing togeth...
The Oxford Handbook of Shakespearean Tragedy brings together fifty-four essays by scholars from all parts of the world. It offers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts, written by a playwright who was himself an experienced actor.
The Oxford Handbook of Shakespearean Tragedy brings together fifty-four essays by scholars from all parts of the world. It offers a fresh and comprehe...
What is the nature of romantic love and erotic desire in Shakespeare's work? In this erudite and yet accessible study, David Schalkwyk addresses this question by exploring the historical contexts, theory and philosophy of love. Close readings of Shakespeare's plays and poems are delivered through the lens of historical texts from Plato to Montaigne, and modern writers including Jacques Lacan, Jean-Luc Marion, Ludwig Wittgenstein, Jacques Derrida, Alain Badiou and Stanley Cavell. Through these studies, it is argued that Shakespeare has no single or overarching concept of love, and that in...
What is the nature of romantic love and erotic desire in Shakespeare's work? In this erudite and yet accessible study, David Schalkwyk addresses this ...