Kategoria BISAC: Literary Criticism >> Asian - Japanese

During the eighteenth century, Edo (today's Tokyo) became the world's largest city, quickly surpassing London and Paris. Its rapidly expanding population and flourishing economy encouraged the development of a thriving popular culture. Innovative and ambitious young authors and artists soon began to look beyond the established categories of poetry, drama, and prose, banding together to invent completely new literary forms that focused on the fun and charm of Edo. Their writings were sometimes witty, wild, and bawdy, and other times sensitive, wise, and polished. Now some of these high...

The plays of the fifth group, with their great variety, can be divided into a number of subgroups. However, it is often difficult to draw clearcut lines between groups as classifications differ from school to school, and from one scholar to another. The classification attempted in this book is based strictly on the dramatic and structural characteristics of the individual plays.

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Modern Japanese women writers as artists as cultural critics is a subject that has not received adequate attention from Japan specialists in North America. Translated and discussed here are critical essays by three of the most innovative, outspoken, and provocative women writers in recent Japanese literary history: Yuriko Miyamoto (1899-1951), Saegusa Kazuko (1929- ), and Minako Oba (1930-2007) with the objective of, one, presenting a Japan that thrives in and on a multiplicity of voices, in contrast to its conformist image in the West; and, two, filling the critical need for English...

The plays presented here were first performed between 1769 and 1832, a time when the Japanese puppet theatre known as Bunraku was beginning to lose its pre-eminence to Kabuki. During this period, however, several important puppet plays were created that went on to become standards in both the Bunraku and Kabuki repertoires; three of the plays in this volume achieved this level of importance. This span of some sixty-odd years was also a formative one in the development of how plays were presented, an important feature in the modern staging of works from the traditional plebeian theatre....

The role of translation in the formation of modern Japanese identities has become one of the most exciting new fields of inquiry in Japanese studies. This book marks the first attempt to establish the contours of this new field, bringing together seminal works of Japanese scholarship and criticism with cutting-edge English-language scholarship.

Collectively, the contributors to this book address two critical questions: 1) how does the conception of modern Japan as a culture of translation affect our understanding of Japanese modernity and its relation to the East/West divide? and...

Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the...

Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the...

Yanagita Kunio (1875-1962) was a public intellectual who played a pivotal role in shaping modern Japan's cultural identity. A self-taught folk scholar and elite bureaucrat, he promoted folk studies in Japan. So extensive was his role that he has been compared with the fabled Grimm Brothers of Germany and the great British folklorist James G. Frazer (1854-1941), author of The Golden Bough. This monograph is only the second book-length English-language examination of Yanagita, and it is the first analysis that moves beyond a biographical account of his pioneering work in folk...