Kategoria BISAC: Literary Criticism >> Asian - Chinese

Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become...

In this first of a planned five-volume set, David Roy provides a complete and annotated translation of the famous Chin P'ing Mei, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context.

Named for the famous Chinese minister of state, Guan Zhong (d. 645 B.C.), the Guanzi is one of the largest collections of ancient Chinese writings still in existence. With this volume, W. Allyn Rickett completes the first full translation of the Guanzi into English. This represents a truly monumental effort, as the Guanzi is a long and notoriously difficult work. It was compiled in its present form about 26 B.C. by the Han dynasty scholar Liu Xiang and the surviving text consists of some seventy-six anonymous essays dating from the fifth century B.C. to the first...

Der Sammelband thematisiert aus interdisziplinarer Perspektiver zentrale europaisch-chinesische Debatten. Sprache, Literatur und Kultur, Wissenschaftstraditionen, Rechtsauffassungen, wirtschaftliche, soziale und politische Konstellationen, Werte und philosophische Grundlagen werden kulturvergleichend analysiert und so auch Perspektiven einer kunftigen chinesisch-deutschen Zusammenarbeit vorgestellt.

Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another.

An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more...

This book is the first English language study of Qian Qianyi (1582-1664) - a poet and literary critic during the Ming-Qing dynastic transition. Although Qian's works constitute some of the greatest achievements in pre-modern Chinese lyric poetry, they have been largely understudied and are poorly understood. Qian was reputed for his own aesthetic that changed the character of late Ming and early Qing poetry. His name, however, was branded with infamy for his disloyalty to the Ming dynasty when it dissolved. Consequently, his works were censored by the Qing court and have been forgotten by...

The Pacific Rim is a geographical region made up of all areas bordered by the Pacific Ocean, its span reaching countries as diverse as the Canada, Korea, China, Mexico, and Australia. Tracing vectors of appropriation, migration, and exchange, Pacific Rim Modernisms explores the complex ways that writers, artists, and intellectuals of the Pacific Rim have contributed to modernist culture, literature, and identity.

Appropriately, given their wide geographical and temporal sweep, the fourteen essays gathered in this volume reflect a range of scholarly perspectives and...

Delving into three hundred years of Chinese literature, from the mid-sixteenth century to the mid-nineteenth, "The Libertine s Friend" uncovers the complex and fascinating history of male homosexual and homosocial relations in the late imperial era. Drawing particularly on overlooked works of pornographic fiction, Giovanni Vitiello offers a frank exploration of the importance of same-sex love and eroticism to the evolution of masculinity in China.
Vitiello s story unfolds chronologically, beginning with the earliest sources on homoeroticism in pre-imperial China and concluding with a...

Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another.

An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more...