Kategoria BISAC: Literary Criticism >> Asian - Chinese

The half-dozen generations from 100 B.C. to A.D. 100 were epoch-making in Chinese history, and there is a real need for "vignetting sketches of manner, character, and thought" based on documents identifiable as to date and authorship. Fortunately such documents are available in the fu (Chinese literary form) on the Two Capitals by Pan Ku and Chang Heng. Insights into Han life and beliefs are offered through the translation and paraphrase of the fu, with extensive critique and commentary.

Originally published in 1960.

The Princeton Legacy Library uses the latest...

As state control of private life in China has loosened since 1980, citizens have experienced an unprecedented family revolution--an overhaul of family structure, marital practices, and gender relationships. While the nuclear family has become a privileged realm of romance and individualism symbolizing the post-revolutionary "freedoms" of economic and affective autonomy, women's roles in particular have been transformed, with the ideal "iron girl" of socialism replaced by the feminine, family-oriented "good wife and wise mother."

Problems and contradictions in this new domestic...

Verse Going Viral examines what happens when poetry, a central pillar of traditional Chinese culture, encounters an era of digital media and unabashed consumerism in the early twenty-first century. Heather Inwood sets out to unravel a paradox surrounding modern Chinese poetry: while poetry as a representation of high culture is widely assumed to be marginalized to the point of "death," poetry activity flourishes across the country, benefiting from China's continued self-identity as a "nation of poetry" (shiguo) and from the interactive opportunities created by the internet and other...

The Ming-Qing dynastic transition in seventeenth-century China was an epochal event that reverberated in Qing writings and beyond; political disorder was bound up with vibrant literary and cultural production. Women and National Trauma in Late Imperial Chinese Literature focuses on the discursive and imaginative space commanded by women. Encompassing writings by women and by men writing in a feminine voice or assuming a female identity, as well as writings that turn women into a signifier through which authors convey their lamentation, nostalgia, or moral questions for the fallen...

As state control of private life in China has loosened since 1980, citizens have experienced an unprecedented family revolution--an overhaul of family structure, marital practices, and gender relationships. While the nuclear family has become a privileged realm of romance and individualism symbolizing the post-revolutionary "freedoms" of economic and affective autonomy, women's roles in particular have been transformed, with the ideal "iron girl" of socialism replaced by the feminine, family-oriented "good wife and wise mother."

Problems and contradictions in this new domestic...

Verse Going Viral examines what happens when poetry, a central pillar of traditional Chinese culture, encounters an era of digital media and unabashed consumerism in the early twenty-first century. Heather Inwood sets out to unravel a paradox surrounding modern Chinese poetry: while poetry as a representation of high culture is widely assumed to be marginalized to the point of "death," poetry activity flourishes across the country, benefiting from China's continued self-identity as a "nation of poetry" (shiguo) and from the interactive opportunities created by the internet and other...

Scholar-officials of late medieval China were not only enthusiastic in amateur storytelling, but also showed unprecedented interest in recording stories on different aspects of literati life. These stories appeared in diverse forms, including narrative poems, "tales of the marvelous," "records of the strange," historical miscellanies, and transformation texts. Through storytelling, literati explored their own changing place in a society that was making its final transition from hereditary aristocracy to a meritocracy ostensibly open to all. Literati Storytelling shows how these...

Conducting the first comprehensive survey in English of this phenomenon, Michel Hockx describes in detail the types of Chinese literature taking shape right now online and their novel aesthetic, political, and...

The epic narratives of modern Chinese fiction make...

A text of central importance to the Chinese literary tradition, the Wen xuan was compiled by Xiao Tong (501-531) and is the oldest surviving anthology of Chinese literature arranged by genre. This volume, the first of a planned eight-volume translation of the entire work, contains thoroughly annotated translations of the first section of the Wen xuan, the rhapsodies on the metropolises and capitals."

Originally published in 1983.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the...

The Wen xuan, compiled by Xiao Tong (501-531), is the oldest surviving anthology of Chinese literary genres. It was one of the primary sources of literary knowledge for educated Chinese in the premodern period, and it is still the essential handbook for specialists in pre-Tang literature.

Originally published in 1987.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books...