Kategoria BISAC: Literary Criticism >> Asian - Chinese

The political novel, which enjoyed a steep yet short rise to international renown between the 1830s and the 1910s, is primarily concerned with the nation's political future. It offers a characterization of the present, a blueprint of the future, and the image of the heroes needed to get there. With the standing it gained during its meteoric rise, the political novel helped elevate the novel altogether to become the leading literary genre of the twentieth century worldwide.

Focusing on its adaptation in the Chinese context, Catherine Vance Yeh traces the genre from Disraeli's England...

This wide-ranging collection of essays is written by one of the world's foremost experts on weather and climate. Six of the chapters have not been published before. The rest, taken from a variety of sources, have been thoroughly revised and brought right up to date - taking account, for example, of the Chernobyl disaster, the risks of nuclear power, and the ozone controversy. Hubert Lamb is able to provide a mature assessment of the effect of weather on people, and vice versa. His is a uniquely authoritative voice in the current debates about today's environment and the prospects for the...

These essays, by Chinese and Western scholars, treat selected aspects of Chinese literary theory, history, and criticism from the age of Confucius to the beginning of the twentieth-century.

The topics examined include Confucius as a literary critic (Donald Holzman); the view of ch'i, or vital force, as a decisive element in creative writing (David Pollard); the literary theories of the eleventh-century poet and essayist Ou-yang Hsiu (Yu-shih Chen) and his contemporary Huang T'ing-chien (Adele Rickett); and the seventeenth-century philosopher-poet Wang Fu-chih (Siu-kit Wong)....

Beyond the Iron House is a critical study of a crucial period of life and work of the modern Chinese writer Lu Xun. Through thorough research into historical materials and archives, the author demonstrates that Lu Xun was recognized in the literary field much later than has hitherto been argued. Neither the appearance of "Kuangren riji" (Diary of a madman) in 1918 nor the publication of "Nahan "(Outcry) in 1923 had catapulted the author into nationwide prominence; in comparison with his contemporaries, neither was his literary work as original and unique as many have claimed, nor were his...

Revealing the fundamental continuities that exist between vernacular fiction and exorcist, martial rituals in the vernacular language, Mark Meulenbeld argues that a specific type of Daoist exorcism helped shape vernacular novels in the late Ming dynasty (1368-1644). Focusing on the once famous novel Fengshen yanyi (Canonization of the Gods), the author maps out the general ritual structure and divine protagonists that it borrows from much older systems of Daoist exorcism.

By exploring how the novel reflects the specific concerns of communities associated with Fengshen yanyi and its...

The half-dozen generations from 100 B.C. to A.D. 100 were epoch-making in Chinese history, and there is a real need for "vignetting sketches of manner, character, and thought" based on documents identifiable as to date and authorship. Fortunately such documents are available in the fu (Chinese literary form) on the Two Capitals by Pan Ku and Chang Heng. Insights into Han life and beliefs are offered through the translation and paraphrase of the fu, with extensive critique and commentary.

Originally published in 1960.

The Princeton Legacy Library uses the latest...

A text of central importance to the Chinese literary tradition, the Wen xuan was compiled by Xiao Tong (501-531) and is the oldest surviving anthology of Chinese literature arranged by genre. This volume, the first of a planned eight-volume translation of the entire work, contains thoroughly annotated translations of the first section of the Wen xuan, the rhapsodies on the metropolises and capitals."

Originally published in 1983.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the...

These essays, by Chinese and Western scholars, treat selected aspects of Chinese literary theory, history, and criticism from the age of Confucius to the beginning of the twentieth-century.

The topics examined include Confucius as a literary critic (Donald Holzman); the view of ch'i, or vital force, as a decisive element in creative writing (David Pollard); the literary theories of the eleventh-century poet and essayist Ou-yang Hsiu (Yu-shih Chen) and his contemporary Huang T'ing-chien (Adele Rickett); and the seventeenth-century philosopher-poet Wang Fu-chih (Siu-kit Wong)....

The Wen xuan, compiled by Xiao Tong (501-531), is the oldest surviving anthology of Chinese literary genres. It was one of the primary sources of literary knowledge for educated Chinese in the premodern period, and it is still the essential handbook for specialists in pre-Tang literature.

Originally published in 1987.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books...