This is memoir of Hsiao Chien, originally published in English in 1990. Born in 1910, Hsiao Chien joined the Communist Youth League and participated in demonstrations against the government before working with Edgar Snow as a translator and publishing his own fiction. He has worked in England and America, becoming friends with E.M. Forster and Bertrand Russell and reported the Nuremberg trials. After returning to China in 1949, he was soon in trouble with the authorities and served 16 years at hard labour. He was formally rehabilitated in 1979 and is today working on the translation into...
This is memoir of Hsiao Chien, originally published in English in 1990. Born in 1910, Hsiao Chien joined the Communist Youth League and participated i...
During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds--old and new, Chinese and Western--sprang up in profusion. Crime narrative again became one of the most prolific and best-loved forms of Chinese popular culture, and it often embodied the Chinese people's most trenchant and open critiques of their newly restored socialist legal system. This is the first full-length study in any language of Chinese crime fiction in all eras: ancient, modern, and contemporary. It is also the first book to apply legal scholars' "law...
During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds--old and new, Chin...
During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds--old and new, Chinese and Western--sprang up in profusion. Crime narrative again became one of the most prolific and best-loved forms of Chinese popular culture, and it often embodied the Chinese people's most trenchant and open critiques of their newly restored socialist legal system.
This is the first full-length study in any language of Chinese crime fiction in all eras: ancient, modern, and contemporary. It is also the first book to apply legal...
During the first thirty years under communism, China completely banned crime fiction. After Mao, however, crime genres of all kinds--old and new, C...
As China's centrally planned economy and welfare state have given way to a more loosely controlled version of "late socialism," public concern about economic reform's downside has found expression in epic novels about official corruption and its effects. While the media shied away from dealing with these issues, novelists stepped in to fill the void. "Anti-corruption fiction" exploded onto the marketplace and into public consciousness, spawning popular films and television series until a clampdown after 2002 that ended China's first substantial realist fiction since the 1989 Beijing massacre....
As China's centrally planned economy and welfare state have given way to a more loosely controlled version of "late socialism," public concern about e...
This volume gathers personal reflections on life and literature by 44 of China's leading authors. It aims to illustrate how Chinese society and its creative writing have supported, competed and fought with each other for the past 40 years and more. Much of what is revealed here is mundane, but the pressure of bringing art to social and political causes, indeed the universal pressure to survive, forges this collection into a very human document. The strengths and weaknesses of these essays offer a window on those of modern Chinese literature itself. Realism was the favoured literary doctrine...
This volume gathers personal reflections on life and literature by 44 of China's leading authors. It aims to illustrate how Chinese society and its cr...
Memoirs of the Chinese author, Chen Xeuzhao, who was branded a rightist by the communist authorities. The book tells of her suffering during the Cultural Revolution.
Memoirs of the Chinese author, Chen Xeuzhao, who was branded a rightist by the communist authorities. The book tells of her suffering during the Cultu...
The depiction of personal and collective suffering in modern Chinese novels differs significantly from standard Communist accounts and many Eastern and Western historical narratives. Writers such as Yu Hua, Su Tong, Wang Anyi, Mo Yan, Han Shaogong, Ge Fei, Li Rui, and Zhang Wei skew and scramble common conceptions of China's modern development, deploying avant-garde narrative techniques from Latin American and Euro-American modernism to project a surprisingly "un-Chinese" dystopian vision and critical view of human culture and ethics. The epic narratives of modern Chinese fiction make...
The depiction of personal and collective suffering in modern Chinese novels differs significantly from standard Communist accounts and many Eastern an...
