Kategoria BISAC: Drama >> Shakespeare

Through careful attention to the contexts of Renaissance culture invoked by the language, action, and visual spectacle in Measure for Measure, Darryl Gless brings a new and original interpretation to one of Shakespeare's most problematic plays. This leads him to a comprehensive and coherent reading of the play that has important implications for further understanding of much of the Shakespearean canon and of other Renaissance works, especially those dealing with theological issues.

Originally published in 1979.

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Avi Erlich finds that Hamlet deals not with repressed patricidal impulses but with a complex search, partially unconscious, for a strong father. Much more than he wants to have killed his father, Hamlet wants his father back and seeks a strong man with whom to identify. The playwright presents one ambivalent father figure after another, each an imitation or parody of the seemingly titanic king. Polonius, Osrick, Yorick, Old Fortinbras, Priam, Achilles, Horatio--these are a few versions ofthe father who bequeathed to his son his own ambivalence.

Originally published in...

We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself.

In analyzing Shakespeare's major tragedies, Professor Felperin...

Here is a rich variety of approaches to teaching Shakespeare, described by authors who are distinguished teachers and scholars. In setting forth their classroom techniques they otter critical insights as well as stimulating ideas for use by other teachers. Their suggestions range from different pairings of plays, provocative questions for discussion, and ways of reading aloud, to projects for class performances and even possibilities for teaching Shakespeare outside the classroom. The contributors share a concern for developing students' interests and skills beyond strict formal...

This book contends that in Love's Labour's Lost Shakespeare sought to discover the ways in which the imagination uses and abuses language. The author's critical reading shows that the characters are endowed with a wide variety of rhetorical disguises. Each assumes that his verbal and social point of view is correct, and the limitations and virtues of each viewpoint are explored as the drama unfolds.

In an elegant examination of theme and style, Professor Carroll heightens the reader's awareness of Shakespeare's marvellously inventive use of language. The author analyzes the...

Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless, Shakespeare's plays continue to be revised. In order to find out how and why he has been rewritten, Ruby Cohn examines modern dramatic offshoots in English, French, and German.

Surveying drama intended for the serious theater, the author discusses modern versions of Shakespeare's plays, especially Macbeth, Hamlet, King Lear, and The Tempest. Although the focus is always...

In this, her last book, Rosalie L. Colie suggests that by linking "forms"--verse forms, devices, motives, themes, conventions, genres--to the culture from which a writer springs and to his selection and organization of materials, we can understand the processes by which he becomes what he is, and is enabled to do what he does.

She is particularly concerned with uncovering the ways in which Shakespeare used, misused, criticized, re-created, and sometimes revolutionized the received topics and devices of his craft. In this sense, Shakespeare's plays are seen as problem plays, each...

A "symbolist" approach has dominated Shakespearean criticism for many years, but Ruth Nevo believes that the emphasis on static and pictorial aspects has obscured the essentially dynamic nature of dramatic expression and this study of the development of Shakespeare's tragic form is offered to correct the imbalance.

From detailed analyses of each of Shakespeare's ten tragedies emerges a characteristic structure--a five-phased movement of discovery--that articulates and orders the traditional components of tragedy. This sequence is one of predicament, psychomachia, peripeteia,...

If Shakespeare's last plays--Pericles, Cymbeline, The Winter's Tale, The Tempest, and Henry VIII--are to be neither debunked nor idealized but taken seriously on their own terms, they must be examined within the traditions and conventions of romance. Howard Felperin defines this relatively neglected literary mode and locates these plays within it. But, as he shows, romance was not simply an established genre in which Shakespeare worked at both the beginning and end of his career but a mode of perceiving the world that pervades and shapes his entire work.

The last plays are...

Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience--the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman's particular concerns are these: what the audience responds to in an acted play; how Shakespeare controls and shapes this response; what the response means, and why it matters.

Originally published in 1972.

The Princeton Legacy Library uses the latest print-on-demand technology to again...

William Shakespeares Hamlet zahlt zu den bedeutendsten Dramen der Weltliteratur. Seite fur Seite stellt unsere zweisprachige Ausgabe den originalen Text in englischer Sprache mit der textgenauen deutschen Schlegel-Tieck Ubersetzung ubersichtlich gegenuber. Diese Ubersetzung gilt nach wie vor als ein deutschsprachiges Standardwerk.

William Shakespeares Romeo und Julia zahlt zu den bedeutendsten Dramen der Weltliteratur. Seite fur Seite stellt unsere zweisprachige Ausgabe den originalen Text in englischer Sprache mit der textgenauen deutschen Ubersetzung von August Wilhelm Schlegel gegenuber. Diese Ubersetzung gilt nach wie vor als ein deutschsprachiger Standard."

William Shakespeares Macbeth zahlt zu den bedeutendsten Dramen der Weltliteratur. Seite fur Seite stellt unsere zweisprachige Ausgabe den originalen Text in englischer Sprache mit der textgenauen deutschen Ubersetzung von Dorothea Tieck gegenuber. Diese Ubersetzung gilt nach wie vor als ein deutschsprachiger Standard."