The provocative notion of a contemporary cross-cultural exchange within the medium of theatre is here imposed upon a dozen contemporary Anglo-American dramatists: Alan Ayckbourn and Neil Simon, Edward Bond and Sam Shepard, David Mamet and Harold Pinter, Caryl Churchill and Maria Irene Fornes, David Hare and David Rabe, Christopher Hampton and Richard Nelson. In each pairing, Ruby Cohn unites a British with an American playwright, exploring similarities both apparent and embedded - similarities that serve as a springboard for the exposure of a more profound, culturally based difference. Cohn...
The provocative notion of a contemporary cross-cultural exchange within the medium of theatre is here imposed upon a dozen contemporary Anglo-American...
Beckett] is a serious writer with something serious to say about the human condition: and therefore one of the dozen or so writers those who are concerned with modern man in search of his soul should read. Stephen Spender, The New York Times Renowned Beckett scholar Ruby Cohn has selected some of Beckett's criticisms, reviews, letters, and other unpublished materials that shed new light on his work."
Beckett] is a serious writer with something serious to say about the human condition: and therefore one of the dozen or so writers those who are conc...
Edward Albee - American Writers 77 was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Edward Albee - American Writers 77 was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable...
Ruby Cohn assumes realism to be the dominant mode in English theatre since 1956, the year of John Osbourne's Look Back in Anger. She argues, however, that the most provocative plays of the last few decades have departed from realism and she traces certain patterns of departure which are familiar in the long tradition of English drama. The patterns, which form the chapters of the book, include the theme of England as dramatic metaphor, modernisations or adaptations of Shakespeare, stage verse, theatre within theatre, explorations of madness, dreams, ghosts and the reviewing of history through...
Ruby Cohn assumes realism to be the dominant mode in English theatre since 1956, the year of John Osbourne's Look Back in Anger. She argues, however, ...
Es handelt sich um eine von Samuel Beckett noch autorisierte und betitelte Sammlung kleiner Schriften zur Ästhetik, erschienen 1983, sechs Jahre vor seinem Tod, die sich in drei Abschnitte gliedert: Ästhetik Literaturkritik Kunstkritik. "Wie andere Beckettkenner auch schätze ich seine kritischen Texte höher ein als ihr Autor", schreibt Ruby Cohn in ihrer Einleitung. "Ich meine, daß die Sammlung eine Ästhetik birgt; allerdings fügen sich Becketts Kritiken in kein deuterisches Prokrustesbett Obgleich Beckett sich auf die Kunst des Fragens, Zögerns, Erkundens versteht, macht sich sein...
Es handelt sich um eine von Samuel Beckett noch autorisierte und betitelte Sammlung kleiner Schriften zur Ästhetik, erschienen 1983, sechs Jahre vor ...
Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless, Shakespeare's plays continue to be revised. In order to find out how and why he has been rewritten, Ruby Cohn examines modern dramatic offshoots in English, French, and German.
Surveying drama intended for the serious theater, the author discusses modern versions of Shakespeare's plays, especially Macbeth, Hamlet, King Lear, and The Tempest. Although the focus is always...
Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has v...
Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless, Shakespeare's plays continue to be revised. In order to find out how and why he has been rewritten, Ruby Cohn examines modern dramatic offshoots in English, French, and German.
Surveying drama intended for the serious theater, the author discusses modern versions of Shakespeare's plays, especially Macbeth, Hamlet, King Lear, and The Tempest. Although the focus is always...
Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has v...
The author ranges through Beckett's drama to analyze his approach to place, time, soliloquy, fiction, and repetition.
Originally published in 1980.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage...
The author ranges through Beckett's drama to analyze his approach to place, time, soliloquy, fiction, and repetition.
When Martin Esslin published The Theatre of the Absurd in 1961 he caught the pulse of Western drama as it burst into bold and surprising new forms after the Second World War. Around the Absurd is the first book to examine the history, impact, and legacy of that theater. In provocative essays by leading critics from both sides of the Atlantic (including Jan Kott, Herbert Blau, Katharine Worth, Theodore Shank, and Benedict Nightingale), this forum carries forward Esslin's seminal work by surveying the theater terrain both before and after that time. Featuring original studies of Maeterlinck,...
When Martin Esslin published The Theatre of the Absurd in 1961 he caught the pulse of Western drama as it burst into bold and surprising new forms aft...
