Kategoria BISAC: Art >> Film & Video

SINT was de succesvolste Nederlandse genre-film van de laatste jaren. In de Benelux goed voor bijna 400.000 bezoekers, in het buitenland aan meer dan 30 landen verkocht.

Inhoud van het boek: Het volledige shooting script geschreven door Dick Maas, oud treatment, 2 storyboard sequences (getekend door Wijo Koek), werkfoto's, concept-art en credits. Totaal 223 bladzijden.

" 'Waar het aan ontbreekt zijn seks en schunnige oneliners. Maas compenseert met een geweldsorgie zoals we die nog niet eerder in zijn films zagen'" - Schokkend Nieuws

" 'Sint is een onvervalste genrefilm met veel...

In and Out of Brussels examines four Brussels-based artistic projects that converge in critically investigating the figuration of Africa in the image economy of the West: Herman Asselberghs's Speech Act (2011), Sven Augustijnen s Spectres (2011), Renzo Martens s Episode III Enjoy Poverty (2008), and Els Opsomer s Building Stories: That Distant Piece of Mine (2012). While each is a singular film, together they reveal Africa s postcolonial imaginary to be a zone of crisis, situated between humanitarian emergency, financial pillage, and the...

Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space offers an extended discussion of the morphology and structure of compositing, graphic juxtapositions, and montage employed in motion pictures. Drawing from the history of avant-garde and commercial cinema, as well as studio-based research, here media artist and theorist Michael Betancourt critiques cinematic realism and spatial montage in motion pictures. This new taxonomic framework for conceptualizing linkages between media art and narrative cinema opens new areas of experimentation for today s...

How do cinematic portrayals of the weather reflect and affect our experience of the world? While weatherly predictability and surprise can impact our daily experience, the history of cinema attests to the stylistic and narrative significance of snow, rain, wind, sunshine, clouds, and skies. Through analysis of films ranging from The Wizard of Oz to The Umbrellas of Cherbourg, from Citizen Kane to In the Mood for Love, Kristi McKim calls our attention to the ways that we read our atmospheres both within and beyond the movies.

Building upon...

Independent Filmmaking and Digital Convergence: Transmedia and Beyond offers a comprehensive analysis of the technological changes of the past few decades in independent film and media-making, and explores new strategies and practices in media production, exhibition and distribution for independent producers and content creators. The book examines how independent filmmaking concepts have merged with digital and online technologies to create new hybrid multi-platform content creations. It explores key questions like how to reach an audience at a time when media conglomerates...

Independent Filmmaking and Digital Convergence: Transmedia and Beyond offers a comprehensive analysis of the technological changes of the past few decades in independent film and media-making, and explores new strategies and practices in media production, exhibition and distribution for independent producers and content creators. The book examines how independent filmmaking concepts have merged with digital and online technologies to create new hybrid multi-platform content creations. It explores key questions like how to reach an audience at a time when media conglomerates...

The Screenwriter s Path takes a comprehensive approach to learning how to write a screenplay allowing the writer to use it as both a reference and a guide in constructing a script. A tenured professor of screenwriting at Emerson College in Boston, author Diane Lake has 20 years' experience writing screenplays for major studios and was the a co-writer of the Academy-award winning film Frida. The book sets out a unique approach to story structure and characterization that takes writers, step by step, to a completed screenplay, and it is full of practical advice on what to do...

The Screenwriter s Path takes a comprehensive approach to learning how to write a screenplay allowing the writer to use it as both a reference and a guide in constructing a script. A tenured professor of screenwriting at Emerson College in Boston, author Diane Lake has 20 years' experience writing screenplays for major studios and was a co-writer of the Academy-award winning film Frida. The book sets out a unique approach to story structure and characterization that takes writers, step by step, to a completed screenplay, and it is full of practical advice on what to do with...