This book is a highly original introduction to the study of European cinema. Following a wide-ranging first part which asks whether European cinema exists and, if so, what its aesthetic, political, and economic characteristics might be, the book offers a series of fascinating and informative case studies of films from the major European film-producing countries including Britain and Russia.

British Cinema in Documents presents an introduction to the key concerns and debates in British cinema through documents, ranging from official papers to fan magazines. Sarah Street shows how such documentary material can enrich our understanding of cinema's place in national culture and shed new light on defining moments in British cinema history.
Street draws together a wide range of material, discussing oral histories, film posters and stills and star memorabilia alongside audience surveys, censorship reports, fan magazines and web sites, providing a context for each extract...

Queer Screen: A Screen Reader brings together a selection of key articles on queer cinema published over the past two decades in the internationally renowned journal, Screen, with new introductory editorial material from Jackie Stacey and Sarah Street.

Queer Screen features scholarship which has contributed to the emergence of queer theory in the field of screen studies during the last fifteen years, demonstrating how writers in Screen have contributed to developments in queer theory as it relates to a wide range of popular and experimental films and...

Here, contributors from diverse film studies backgrounds consider the importance of colour throughout the history of the medium, assessing not only the theoretical implications of colour on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of colour.

Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.

Transatlantic Crossings is a major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, Sarah Street draws on a wide range of sources including studio records, film posters, press books and statistics. While the power of Hollywood made it difficult for films that crossed the Atlantic, Street's research demonstrates that some strategies were more successful than others. She considers which British films made an impact and analyzes conditions that facilitated a positive reception from critics, censors,...