Kategoria BISAC: Art >> Subjects & Themes - Religious

Despite the fact that the Gothic is one of the best known and most studied of all the fields of medieval art history, much remains for us to learn. Stretching in time from the early thirteenth to the middle of the sixteenth century and in space from the western shores of Ireland to the eastern borders of Europe, it is a style with many subdivisions and dialects. These papers--the fruits of a two-day conference at Princeton University--bring together some of the foremost scholars in the field and celebrate Willibald Sauerlander, the doyen of Gothic studies. Covering a variety of media, from...

Once little known outside of Haiti, Vodou flags (drapo Vodou), dazzling in color and imagery, have become popular commodities in the international art market. Works by such notable Haitian artists as Silva Joseph, Antoine Oleyant, and Yves Telemak now grace the walls of museums, art galleries, and private homes throughout the world.

The fascinating, colorful collection of drapo Vodou included in this book reveals the importance of Vodou flags in the Haitian culture. Shimmering with sequins and reflected light, they capture the attention of Vodou practitioners and art...

Santeria, also called Lucumi or Orisha Worship by its practitioners, originated in Nigeria among the Yoruba people. It took shape in Cuba during and after the slave trade and reached North America through Afro-Caribbean immigration. As the fastest growing African-based religion in the United States, Santeria has stimulated many publications, but none prior to this book noted the special significance of its art and artists.

In Santeria Garments and Altars, for the first time, two distinguished folklorists and practitioners of the faith focus upon the artistry of garments and...

Secrets of the Sacred illuminates the role of icons and relics in Buddhist writing and practice, with particular attention to the transformation of inanimate material images into potent icons animated by the divine. The earliest canonical scriptures indicate that images of the Buddha were created before the concept of transcendental identity was developed. Later writings reveal a connectedness between image and deity, and eventually art transformed into a means of creating a receptive environment for communication with the divine power and attaining wisdom. Icons became the...

The cult of the Christ Child flourished in late medieval Europe across lay and religious, as well as geographic and cultural boundaries. Depictions of Christ's boyhood are found throughout popular culture, visual art, and literature. The Christ Child in Medieval Culture is the first interdisciplinary investigation of how representations of the Christ Child were conceptualized and employed in this period.

The contributors to this unique volume analyse depictions of the Christ Child through a variety of frameworks, including the interplay of mortality and divinity, the...

No story is more central to Western culture than the crucifixion of Jesus Christ in the New Testament, and none better demonstrates the power of representation in shaping religious faith and practice. The incidence of Passion imagery in diverse media is fundamental to the histories of Christian piety, church politics, and art in European and American societies. At the same time, the visualization and reenactment of Christ's suffering has for centuries been the principal engine generating popular perceptions of Jews and Judaism. The provocative essays collected here, written by eminent...

Dubbed the Cathedral of France and first church of French Christendom, the Gothic cathedral of Reims was the coronation site of more than two dozen French kings--and a target of German bombardment in World War I. Before 1914 its medieval stained glass had enjoyed the fame of Chartres and Bourges. The first extensive study focusing on the stained glass of this preeminent cathedral, The Gothic Stained Glass of Reims Cathedral offers a groundbreaking analysis of its glazing program. Through unique insights into the clerical agenda and its influence over a building devoted to the...

Opening Doors is the first book of its kind: a comprehensive study of the emergence and evolution of the Netherlandish triptych from the early fifteenth through the early seventeenth centuries. The modern term "triptych" did not exist during the period Lynn Jacobs discusses. Rather, contemporary French, Dutch, and Latin documents employ a very telling description--they call the triptych a "painting with doors." Using this term as her springboard, Jacobs considers its implications for the structure and meaning of the triptych. The fundamental nature of the format created doors that...

The offering of gifts is a practice nearly as ancient and widespread as human culture itself. At courts throughout the Islamic world, the exchange of lavish gifts and endowments intimately linked art with diplomacy and royal ambitions, religion, and personal relationships.

This beautifully illustrated book explores the complex interplay between artistic production and gift-based patronage by discussing works of great aesthetic refinement that were either commissioned or repurposed as gifts. By tracing the unique histories of certain artworks, the author reveals how the exchange of...

Covering the arts of Ireland and England with some incursions onto mainland Europe, where the same stylistic influences are found, the terms "Insular" and "Anglo-Saxon" are two of the most problematic in medieval art history. Originally used to define the manuscripts of ninth- and tenth-century Ireland and the north of England, "Insular" is now more widely applied to include all of the media of these and earlier periods. It is a style that is closely related to the more narrowly defined Anglo-Saxon. Stretching from the sixth or seventh centuries possibly to the late eleventh century, these...