Kategoria BISAC: Art >> Individual Artists - General

William Woodward (1859-1939) was a force in New Orleans and the art world, and his legacy endures. In this first compilation of examples of Woodward's work spanning his career, essayists offer unique perspectives on the artist and his art.

Woodward was a graduate of the Rhode Island School of Design and the Massachusetts Normal Art School. He started the School of Art and organized the Department of Architecture at Tulane University, and he taught evening art classes to citizens of New Orleans. His oil crayon paintings of the French Quarter were instrumental in preserving the French...

Deriving inspiration from his studies of light, color, dimension, space, and perception, artist Stephen Knapp has created an eighty-foot multi-dimensional composition of light in the Boise Art Museum's Sculpture Court. The artist's site-specific Lightpainting embodies a unique and original form of art that integrates sculptural, architectural and visual elements to transform the environment. This exhibition is the third exhibition featured in BAM's Threads of Perception Series.

Lightpaintings are an outgrowth of Knapp's longtime interest in various media including photography,...

The work of southern artists is often infused with a deep sense of place and time. Whether inspired by the small town of the artist's birth, the land, the waters-be it river, lake, or sea-the music, the people, or even the animals, that sense of place shows up in subtle, surprising, or literal ways, unique to each artist. One World, Two Artists shows how the Gulf Coast was a shared source of inspiration to two native artists: John Alexander and Walter Anderson.

Born in 1945 in the coastal town of Beaumont, Texas, John Alexander grew up in a region heavily influenced by Cajun,...

Henk Pander has lived in Portland, Oregon, for 45 years but describes himself as a "reluctant immigrant" from his native Holland. He has maintained a cultural double vision. He records and interprets American technology, materialism, topography, and disaster in paintings and drawings that radically revise aspects of traditional Dutch painting in order to make hard-hitting American art. At the same time, he frequently paints specifically European scenes and subjects.

His painted narratives range from memories of Nazi-occupied Holland, to a conflation of the American West with...

Jose Bedia is an artist, practitioner, and devotee whose work emanates from his diverse and often systematic religious journeys, experiences, and encounters. Transcultural Pilgrim invites the reader into Bedia's spiritual worlds, which range from his Cuban birthplace to Central Africa and to the indigenous Americas, as revealed in his distinctive and frequently autobiographical visual language.

The power and immediacy of Bedia's large-scale paintings and drawings and the material complexity of his installations immediately draw the viewer into his work. Judith Bettelheim and...

Albrecht Durer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man--he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such...

In a career that has spanned four decades and three continents, Denise Green has bridged the tricky distance between artist and critic, an accomplishment captured in Denise Green: An Artist's Odyssey. Combining her life story with observations of leading figures in the art world, the book is at once a window on artistic theory and practice and a virtual how-to for aspiring artists.

Green's own story begins in Brisbane and moves through her subsequent years of training in Paris during the revolutionary events of 1968. She goes on to describe her apprenticeship as a painter in...