Kategoria BISAC: Art >> Individual Artists - General

A loosely formed autobiography by Andy Warhol, told with his trademark blend of irony and detachment

In The Philosophy of Andy Warhol--which, with the subtitle "(From A to B and Back Again)," is less a memoir than a collection of riffs and reflections--he talks about love, sex, food, beauty, fame, work, money, and success; about New York, America, and his childhood in McKeesport, Pennsylvania; about his good times and bad in New York, the explosion of his career in the sixties, and his life among celebrities.

The HIV epidemic animates this collection of essays by a noted artist, writer, and activist. "So total was the burden of illness -- mine and others' -- that the only viable response, other than to cease making art entirely, was to adjust to the gravity of the predicament by using the crisis as a lens," writes Gregg Bordowitz, a film- and video-maker whose best-known works, Fast Trip Long Drop (1993) and Habit (2001), address AIDS globally and personally. In The AIDS Crisis Is Ridiculous -- the title essay is inspired by Charles Ludlam, founder of the Ridiculous Theater Company --...

Richard Serra is considered by many to be the most important sculptor of the postwar period. The essays in this volume cover the complete span of Serra's work to date -- from his first experiments with materials and processes through his early films and site works to his current series of "torqued ellipses." There is a special emphasis on those moments when Serra extended aesthetic convention and/or challenged political authority, as in the famous struggle with the General Services Administration over the site-specific piece Tilted Arc.October Files October Files is a new series of...

Andy Warhol (1928-1987), one of the most celebrated artists of the last third of the twentieth century, owes his unique place in the history of visual culture not to the mastery of a single medium but to the exercise of multiple media and roles. A legendary art world figure, he worked as an artist, filmmaker, photographer, collector, author, and designer. Beginning in the 1950s as a commercial artist, he went on to produce work for exhibition in galleries and museums. The range of his efforts soon expanded to the making of films, photography, video, and books. Warhol first came to public...

Eva Hesse's distinctive process-based art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists today. Using industrial materials such as latex and fiberglass, she exploited their flexibility to produce works with an unsettling psychic and corporeal resonance. Hesse, who was born in Germany in 1936 and raised in New York City, died of cancer in New York in 1970.Eva Hesse focuses on the body of criticism that has developed since the last major retrospective of Hesse's work, at the Yale University Art Gallery in 1992. The book's publication...

Art history as we know it would not exist without Vasari, and Barolsky shows us that something of the same claim should be made for literary history. He demonstrates the ways in which a literary approach to Vasari's book deepens our understanding of its historical, art-historical, and imaginative character. Why Mona Lisa Smiles discusses Vasari's shrewd, witty, intimate awareness of Dante, Petrarch, and Boccaccio and relates the Lives to the works of Castiglione, Aretino, Cellini, and Rabelais. Barolsky reveals the unexpected fantasy of Vasari, who imagined and then invented...

Invisible Cathedrals places Wilhelm Worringer in the foreground of discussions of Expressionism and German Modernism for the first time. These essays not only reveal the complexities of his individual works, such as Abstraction and Empathy (1908) and Form Problems of the Gothic (1911), they also examine his lesser-known books and essays of the post-World War I years, the 1920s, and beyond.

Invisible Cathedrals offers both a basic introduction to Worringer's writings and their broad influence, and a profound and detailed revisionist analysis of his...

Winner, 2005 Western Books Exhibition, Rounce & Coffin Club, 2005

Julie Speed's meticulous craftsmanship and attention to detail bring to mind the work of painters from the fifteenth and sixteenth century Renaissance. Unlike those artists, however, Speed is inspired by an almost limitless number of easily available sources and is unencumbered by the sexual and societal restrictions of past centuries, which gives her the freedom to paint what she wants and the way she wants. This places her body of work squarely in the present. Utilizing her keen sense of the absurd, Speed...

Winner, A Choice Magazine Outstanding Academic Book

Leopoldo Mendez (1902-1969) was one of the most distinguished printmakers of the twentieth century, as well as one of Mexico's most accomplished artists. A politically motivated artist who strongly opposed injustice, fascism, and war, Mendez helped form and actively participated in significant political and artistic groups, including the Estridentistas in the 1920s and the Liga de Escritores y Artistas Revolucionarios (LEAR) and the Taller de Grafica Popular (TGP) in the 1930s. To champion Mexican art and artists, Mendez also...

Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.

A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific...

As a young artist and musician Wesley Wehr became a friend and often a confidant of many of the painters, poets, and musicians who lived or worked in the Northwest in the 1950s and 1960s. Drawing on his journals, Wehr provides an engagingly written, intriguing, and informative series of vignettes of painters Mark Tobey, Pehr Hallsten, Helmi Juvonen, Guy Anderson, and Morris Graves; photographer Imogen Cunningham; gallery owner Zoe Dusanne; poets Thoedore Roethke, Richard Selig, Elizabeth Bishop, and Leonie Adams; philosopher Susanne Langer; musicians Ernest Bloch and Berthe Poncy Jacobson;...