Kategoria BISAC: Art >> History - Contemporary (1945- )

Das Dom Museum Wien am Stephansplatz prasentiert sich architektonisch und konzeptionell neu ausgerichtet im Spannungsfeld von Kunst, Kirche und Gesellschaft. In diesem Fuhrer werden formal aussergewohnliche, inhaltlich vielfaltige, mitunter auch ratselhafte Kunstobjekte aus den unterschiedlichen Epochen lebendig, etwa das erste Portrat des Abendlandes in Dreiviertelansicht Rudolf des Stifters oder die Avantgarde-Klassiker der Sammlung Otto Mauer.

When Mary Kelly's best-known work, Post-Partum Document (1973--1979), was shown at the Institute of Contemporary Art in London in 1976, it caused a sensation--an unexpected response to an intellectually demanding and aesthetically restrained installation of conceptual art. The reception signaled resistance to the work's interrogation of feminine identity and the cultural mythologizing of motherhood. This volume of essays and interviews begins with this foundational work, offering an early statement by the artist, a subsequent interview, and an essay situating the work within a...

In a world where the notion of home is more traumatizing than it is comforting, artists are using this literal and figurative space to reframe human responses to trauma.

Building on the scholarship of key art historians and theorists such as Judith Butler and Mieke Bal, Claudette Lauzon embarks upon a transnational analysis of contemporary artists who challenge the assumption that 'home' is a stable site of belonging. Lauzon's boundary-breaking discussion of artists including Krzysztof Wodiczko, Sanitago Sierra, Doris Salcedo, and Yto Barrada posits that contemporary art offers a...

For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control.

In Mirror Affect, Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between...

For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control.

In Mirror Affect, Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between...

Contemporary Art and Digital Culture analyses the impact of the internet and digital technologies upon art today. Art over the last fifteen years has been deeply inflected by the rise of the internet as a mass cultural and socio-political medium, while also responding to urgent economic and political events, from the financial crisis of 2008 to the ongoing conflicts in the Middle East.

This book looks at how contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new...

Erster umfassender Uberblick uber das Schaffen des osterreichischen Bildhauers Roland Reiter. Reiters Kunst kalkuliert nicht kuhl, das emotionale, das "ausdrucksvolle" Moment ist eines ihrer Kennzeichen. Sie kombiniert Materialien, die klassischerweise nicht zusammenpassen, sich gegenwartskunsttechnisch aber doch wieder erganzen. Dadurch entsteht eine Art von Spannung, die durchaus einen eigenen Voyeurismus zu bedienen weiss.

The surge of evolutionary and neurological analyses of art and its effects raises questions of how art, culture, and the biological sciences influence one another, and what we gain in applying scientific methods to the interpretation of artwork. In this insightful book, Matthew Rampley addresses these questions by exploring key areas where Darwinism, neuroscience, and art history intersect.

Taking a scientific approach to understanding art has led to novel and provocative ideas about its origins, the basis of aesthetic experience, and the nature of research into art and the...