When Mary Kelly's best-known work, Post-Partum Document (1973--1979), was shown at the Institute of Contemporary Art in London in 1976, it caused a sensation--an unexpected response to an intellectually demanding and aesthetically restrained installation of conceptual art. The reception signaled resistance to the work's interrogation of feminine identity and the cultural mythologizing of motherhood. This volume of essays and interviews begins with this foundational work, offering an early statement by the artist, a subsequent interview, and an essay situating the work within a...
When Mary Kelly's best-known work, Post-Partum Document (1973--1979), was shown at the Institute of Contemporary Art in London in 1976, it c...
