Kategoria BISAC: Art >> History - Contemporary (1945- )

One of the state's oldest arts organizations, Women Painters of Washington was founded in 1930 with the aim of overcoming limitations faced by women artists. Over its 75-year history, the group has counted among its members talented artists of national prominence whose stories have not been widely shared, until now.

From founding members' early efforts to support fellow women artists, to contemporary members' cultural exchanges and international exhibitions, David F. Martin tells the story of Women Painters of Washington. He examines members' artistic achievements and the...

In this beautifully illustrated volume, published in celebration of the Renwick Gallery's fortieth anniversary, author Nicholas Bell highlights forty artists (all under the age of forty) actively engaged in creating objects that are transforming contemporary craft. 40 Under 40 investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as sculpture, industrial design, installation art, fashion, and sustainable manufacturing. Viewing craft's heritage as a set of flexible tools rather than a rigid structure, Bell shows...

Fieldworks offers a historical account of the social, rhetorical, and material attempts to ground art and poetry in the physicality of a site.

Arguing that place-oriented inquiries allowed poets and artists to develop new, experimental models of historiography and ethnography, Lytle Shaw draws out the shifting terms of this practice from World War II to the present through a series of illuminating case studies. Beginning with the alternate national genealogies unearthed by William Carlos Williams in Paterson and Charles Olson in Gloucester, Shaw demonstrates how subsequent...

A fully illustrated guide to land and environmental art. A newly updated and revised edition of our best-selling book.

For the land artist, the whole planet is an artist's studio. The land artist ranges over the whole globe. A desert, a beach, a field, a forest becomes a studio, a place of creative activity. This means the very texture and colour and shape and dampness and springiness and strength and size of moss, for instance. Or a stone. Or a crevice in a rock formation. The...

Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another's work. The outcome of each of these convergences is an extensive and "unpredictable conversation" on knotty and provocative issues about art.

This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation...