Douglas Coupland takes his sparkling literary talent in a new direction with this crackling collection of takes on life and death in North America -- from his sweeping portrait of Grateful Dead culture to the deaths of Kurt Cobain, Marilyn Monroe and the middle class.
For years, Coupland's razor-sharp insights into what it means to be human in an age of technology have garnered the highest praise from fans and critics alike. At last, Coupland has assembled a wide variety of stories and personal "postcards" about pivotal people and places that have defined our modern lives. Polaroids...
Douglas Coupland takes his sparkling literary talent in a new direction with this crackling collection of takes on life and death in North America -- ...
From the bestselling author of Generation X and Microserfs, comes the absurd and tender story of a hard-living movie producer and a former child beauty pageant contender who only find each other by losing themselves. Waking up in an L.A. hospital, John Johnson is amazed that it was the flu and not an overdose of five different drugs mixed with cognac that nearly killed him. As a producer of high-adrenaline action flicks, he's led a decadent and dangerous life, purchasing his way through every conceivable variant of sex. But each variation seems to take him one notch away from a capacity...
From the bestselling author of Generation X and Microserfs, comes the absurd and tender story of a hard-living movie producer and a former child beaut...
On a snowy Friday night in 1979, just hours after making love for the first time, Richard's girlfriend, high school senior Karen Ann McNeil, falls into a coma. Nine months later she gives birth to their daughter, Megan. As Karen sleeps through the next seventeen years, Richard and their circle of friends reside in an emotional purgatory, passing through a variety of careers--modeling, film special effects, medicine, demolition--before finally reuniting on a conspiracy-driven super-natural television series. But real life grows as surreal as their TV show as Richard and his friends await...
On a snowy Friday night in 1979, just hours after making love for the first time, Richard's girlfriend, high school senior Karen Ann McNeil, falls ...
They are Microserfs--six code-crunching computer whizzes who spend upward of sixteen hours a day -coding- and eating -flat- foods (food which, like Kraft singles, can be passed underneath closed doors) as they fearfully scan company e-mail to learn whether the great Bill is going to -flame- one of them. But now there's a chance to become innovators instead of cogs in the gargantuan Microsoft machine. The intrepid Microserfs are striking out on their own--living together in a shared digital flophouse as they desperately try to cultivate well-rounded lives and find love amid the dislocated,...
They are Microserfs--six code-crunching computer whizzes who spend upward of sixteen hours a day -coding- and eating -flat- foods (food which, like...
In this beautifully illustrated volume, published in celebration of the Renwick Gallery's fortieth anniversary, author Nicholas Bell highlights forty artists (all under the age of forty) actively engaged in creating objects that are transforming contemporary craft. 40 Under 40 investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as sculpture, industrial design, installation art, fashion, and sustainable manufacturing. Viewing craft's heritage as a set of flexible tools rather than a rigid structure, Bell shows...
In this beautifully illustrated volume, published in celebration of the Renwick Gallery's fortieth anniversary, author Nicholas Bell highlights for...
#artselfie opens with an incisive remark by Douglas Coupland: -Selfies are mirrors we can freeze ... Selfies allow us to see how others look at themselves in a mirror making their modeling face when nobody's around ... except these days, everybody's around everywhere all the time.- The #artselfie hashtag emerged in 2012 and was subsequently activated by New York-based collective DIS, as an aggregated mode of art-tourism and documentation. These selfies and their dialogue with art are an opportunity to revisit fundamental questions such as: if art is a mirror, what happens when we place...
#artselfie opens with an incisive remark by Douglas Coupland: -Selfies are mirrors we can freeze ... Selfies allow us to see how others look at...
