Images: A Reader provides a key resource for students, academics, practitioners and other readers engaged in the critical, theoretical, and practical study of images. The Reader is concerned with the notion of the 'image' in all its theoretical, critical and practical contexts, uses and history. It provides a map of the differences and similarities between the various disciplinary approaches to images, breaking the ground for a new interdisciplinary study of images, in the arts and humanities and beyond. The selection of over 80 key readings, across the domains of philosophy, art, literature,...
Images: A Reader provides a key resource for students, academics, practitioners and other readers engaged in the critical, theoretical, and practical ...
If contemporary culture is an image culture, how should we understand and analyze the vast range of images among which we live? Images: A Reader provides a key resource for students, academics, practitioners and other readers engaged in the critical, theoretical and practical study of images. The Reader is concerned with the notion of the 'image' in all its theoretical, critical and practical contexts, uses and history. It provides a map of the differences and similarities between the various disciplinary approaches to images, breaking the ground for a new interdisciplinary study of images,...
If contemporary culture is an image culture, how should we understand and analyze the vast range of images among which we live? Images: A Reader provi...
This title offers an introduction to visual and image studies. In order to better understand images and visual culture, the book seeks to bridge between theory and practice; asking the reader to think critically about images and image practices, but also simultaneously to make images and engage with image-makers and image-making processes.
This title offers an introduction to visual and image studies. In order to better understand images and visual culture, the book seeks to bridge betwe...
Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another's work. The outcome of each of these convergences is an extensive and "unpredictable conversation" on knotty and provocative issues about art.
This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation...
Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with on...
Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another's work. The outcome of each of these convergences is an extensive and "unpredictable conversation" on knotty and provocative issues about art.
This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation...
Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with on...
