Kategoria BISAC: Art >> History - Baroque & Rococo

Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish...

Art historians have in the past narrowly defined primitivism, limiting their inquiry to examples of direct stylistic borrowing from African, Oceanic, or Native American imagery. The drawbacks of such an approach have become increasingly apparent, the most problematic being its perpetuation of the notion that certain traditions are indeed "primitive." Frances Connelly argues that "primitive" art was not a style at all, but a cultural construction by modern Europeans, a cluster of concepts principally forged during the Enlightenment concerning the nature of the origins of artistic...

The dramatic realism of Caravaggio's art has fascinated viewers since the seventeenth century. Yet no prior monograph presents the thorough investigation of Caravaggio's "realism" ventured in John Varriano's remarkable book. Forgoing the "life and works" format of most earlier monographs, Varriano concentrates on uncovering the principles and practices--the intellect and the imagination--that guided Caravaggio's eye and brush as he made some of the most controversial paintings in the history of art.

Caravaggio's irascible personality, libertine sexual preferences, and lawless, even...

The Art of Allegiance explores the ways in which Spanish imperial authority was manifested in a compelling system of representation for the subjects of New Spain during the seventeenth century. Michael Schreffler identifies and analyzes a corpus of "source" material--paintings, maps, buildings, and texts--produced in and around Mexico City that addresses themes of kingly presence and authority as well as obedience, loyalty, and allegiance to the crown.

The Art of Allegiance opens with a discussion of the royal palace in Mexico City, now destroyed but known through...

The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome,...

• Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists' interactions with the ancient world and with the new sciences
  
• Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin
  
• Published in the expanding...

This comparative and interdisciplinary study focuses on a cluster of epoch-making themes that emerged in the late sixteenth century. Michelangelo and Giordano Bruno are taken as the founding fathers of the Baroque, and we see that beyond the Alps their lessons were echoed in Montaigne, Cervantes, and the Counter-Reformation culture of the Mediterranean basin. Maiorino shows that the common denominator that links the origins of the Baroque to its maturity is the concept of form as "process," which is then articulated into chapters on the formative unity of the arts, art forms at the...