Kategoria BISAC: Art >> American - General

The need to describe the world around us is an impulse as old as the earliest cave wall depictions of running horses and wounded bison. In this descriptive enterprise we have consistently found nature to be a valuable and inspiring companion, and over the centuries, as we moved beyond simple narrative to the complex, exhortative inventions of allegory, nature has reciprocally grown with us, giving us a crucial and familiar framework to help us to know our place in the universe. As a consequence of this evolution, the human imagination can claim innumerable--often epic--accounts built on...

During the nineteenth century, American artists, writers, and philosophers collaborated in the formation of a culture devoted to the country's natural splendors and the meanings these might harbor for its citizens. Arguably, the earliest and most influential of such pictorial and literary mergings took place in the Hudson River School, the subject of the essays gathered in this volume from the Trout Gallery of Dickinson College.

The artists and writers discussed in this anthology range from Thomas Cole, the founder of the Hudson River School, to Stanford Gifford and Washington...

Americans were introduced to Impressionism by the French in the 1880s. They explored its expressive potential and debated its merits in the 1890s, and by the turn of the 20th century, American painters had seized the style for their own. Included here are thirty superb examples of American Impressionist painting by the seminal artists who redefined the movement for American audiences, including Frank W. Benson, Mary Cassatt, William Merritt Chase, Childe Hassam, John Singer Sargent, John Henry Twachtman, and others.

Featuring contributions by some of the clearest voices and leading...

• Collects the most important writings on art history from Post-Impressionism to the mid-20th century, covering both canonical and contemporary perspectives
  
• Offers a chronicle of avant-garde practice during an especially creative, if volatile, period of history
  
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• Collects the most important writings on art history from Post-Impressionism to the mid-20th century, covering both canonical and contemporary perspectives
  
• Offers a chronicle of avant-garde practice during an especially creative, if volatile, period of history
  
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The book includes essays by five experts in the field, presenting and analyzing the work of sixty-seven artists. Rachel Rosenfield Lafo introduces the reader...

The New Press is proud to publish a new paperback edition of Mixed Blessings, the first book to discuss the cross-cultural process taking place in the work of contemporary Latino, Native, African, and Asian American artists. Rich with illustrations of artworks in many different media, and filled with incisive quotes and unsettling reports, it is more than a book about art; it is a complex meditation on the relationships of people to their cultures. Lucy R. Lippard, one of our most original and insightful writers on art, challenges conventional approaches and explores the role of...

With this volume Patti Carr Black, former director of the Old Capitol Museum in Jackson, has produced a much-needed work and brings together previous research with a vast amount of new information.

Copublished by the Mississippi Historical Society, the Mississippi Department of Archives and History, and the University Press of Mississippi, this elegant and comprehensive volume is the first of the Society's Heritage of Mississippi Series. Black has brought to the task a perspective on Mississippi art that was informed by a lifetime's dedication to art, years of curating museum...

Ed McGowin (b. 1938) has, under a variety of names and guises, created an expansive body of art that ultimately falls outside of traditional categories. His paintings, sculptures, conceptual art projects, films, writings, and public art installations have in common a southern sensibility, one rooted in his early experiences in Mississippi and Alabama.

Ed McGowin, Name Change is a retrospective of a project started in 1970 to explore a theory he conceived about the way art history would evolve. As a metaphor for this theory he had his name changed legally twelve times over the...

Through his work, Blagg brings the viewer both the beauty and the hostility of West Texas. Blagg has a fascination with and love for his "ever-changing"...