Kategoria BISAC: Art >> American - General

Accompanying a year-long exhibition at the University of Kentucky Art Museum, A Place Not Forgotten explores the distinctiveness of Southern landscape painting from the early nineteenth century through the 1940s. More than twenty-five color reproductions are accompanied by essays on southern art and culture by William W. Freehling, Singletary Professor of Humanities at the University of Kentucky; Jessie Poesch, professor emerita of art history at Tulane University; and J. Richard Gruber, director of the Ogden Museum of Southern Art in New Orleans. Brief commentaries from Wendell...

Since his death in 1925, the country's most significant collections of American painting have granted George Bellows a place among their most important artists. Best known for a relatively small number of controversial boxing images, he is equally notable for his contributions to American landscape painting, portraiture, and especially scenes of modern American life. Although his talent is most directly evident in his drawings, until now they have been paid only cursory attention.

The Powerful Hand of George Bellows features drawings and related lithographs by the great...

Ours is a culture defined by marketing and acquiring. Virtually every activity in our lives is experienced through purchases, from layettes to caskets. The landscape is studded with logos, brand names, and billboards. Branded and On Display examines the work of artists who explore specific strategies of branding and presentation in their response to this pervasively commoditized environment. Representing a range of media - sculpture, video, installation, sound, painting, and photography - the work is compelling and provocative, nudging us to "re-view" our culture with an appraising...

George Johanson ? painter, printmaker, and teacher ? was born in Seattle, studied art in Portland, Oregon, and lived in New York in the early 1950s before returning to Portland. Whether in New York jazz clubs and slaughterhouses, in Mexican villages, at the Rose Festival held each year in Portland, at rehearsals of the Oregon Symphony, or in life drawing sessions with artist friends, making images on paper has been a basic element for Johanson throughout his life. The haunting power of Johanson's art originates, almost always, in drawing.

Johanson's art is concerned with...

Pleasant Journeys and Good Eats along the Way surveys John Baeder's thirty-five-year obsession with roadside architecture, especially America's diners, and complements Baeder's Morris Museum of Art exhibit of the same name. Originally attracted to classic postcard images of mom-and-pop businesses and old black-and-white photos of downtowns, Baeder (b. 1938) has spent most of his art career depicting these beloved but unpretentious restaurants. Often classified as a photorealist, Baeder has always resisted being labeled. He sees his paintings as a plea for preservation and a way to...

Walter Anderson (1903-1965), an artist known for his vibrant watercolors, murals, pottery, and sculpture, also carved more than 300 linocuts. Among these were the first monumental block prints in American art. When Picasso produced his first large prints in 1952, Anderson's six-foot fairy tale linocuts were already hanging in museums in Memphis and New York.

Between 1933 and 1950, when American printmakers were restricted by the size of paper and competition rules, Anderson was carving blocks ranging in size from 6- x 4- to 6' x 4'. Gulf Coast flora and fauna, and myths, fairy...

Breaking the Mold focuses on paintings from a pivotal time, one of transition from postwar abstract expressionism to new artistic developments. It includes works on paper, paintings, and sculpture by fifty artists including Josef Albers, Richard Diebenkorn, Ellsworth Kelly, Morris Louis, and Marcel Duchamp.

The Washington Gallery of Modern Art (WGMA) was founded in Washington, DC, on October 28, 1961, to increase the national and international attention given to contemporary art in the nation's capital, with an expressed purpose to exhibit and collect contemporary works of...

With styles ranging from traditional to abstract, the works in this volume span late nineteenth-century and twentieth-century American art and include examples from both Europe and Latin America. The common thread is excellence. Many of the paintings play on the boundaries between reality and fantasy, contain elements of humor or satire, or are rendered in a highly colorful, expressive style which does not directly imitate the natural world.

In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and...