Kategoria BISAC: Art >> American - General

Accompanying a year-long exhibition at the University of Kentucky Art Museum, A Place Not Forgotten explores the distinctiveness of Southern landscape painting from the early nineteenth century through the 1940s. More than twenty-five color reproductions are accompanied by essays on southern art and culture by William W. Freehling, Singletary Professor of Humanities at the University of Kentucky; Jessie Poesch, professor emerita of art history at Tulane University; and J. Richard Gruber, director of the Ogden Museum of Southern Art in New Orleans. Brief commentaries from Wendell...

Ours is a culture defined by marketing and acquiring. Virtually every activity in our lives is experienced through purchases, from layettes to caskets. The landscape is studded with logos, brand names, and billboards. Branded and On Display examines the work of artists who explore specific strategies of branding and presentation in their response to this pervasively commoditized environment. Representing a range of media - sculpture, video, installation, sound, painting, and photography - the work is compelling and provocative, nudging us to "re-view" our culture with an appraising...

Pleasant Journeys and Good Eats along the Way surveys John Baeder's thirty-five-year obsession with roadside architecture, especially America's diners, and complements Baeder's Morris Museum of Art exhibit of the same name. Originally attracted to classic postcard images of mom-and-pop businesses and old black-and-white photos of downtowns, Baeder (b. 1938) has spent most of his art career depicting these beloved but unpretentious restaurants. Often classified as a photorealist, Baeder has always resisted being labeled. He sees his paintings as a plea for preservation and a way to...

Walter Anderson (1903-1965), an artist known for his vibrant watercolors, murals, pottery, and sculpture, also carved more than 300 linocuts. Among these were the first monumental block prints in American art. When Picasso produced his first large prints in 1952, Anderson's six-foot fairy tale linocuts were already hanging in museums in Memphis and New York.

Between 1933 and 1950, when American printmakers were restricted by the size of paper and competition rules, Anderson was carving blocks ranging in size from 6- x 4- to 6' x 4'. Gulf Coast flora and fauna, and myths, fairy...

In this new work, color reproductions of more than 115 paintings capture the beauty and illuminate the aesthetic and philosophical principles of the Hudson River School painters. The pieces included in this volume reflect a period (1825-1875) when American landscape painting was most thoroughly explored and formalized with personal, artistic, cultural, and national identifications. Judith Hansen O'Toole reveals the subtleties and...

Land art encompasses the full spectrum of human responses to a specific landscape over time. From the perspective of architect Chris Taylor and artist Bill Gilbert, land art ranges from the inscription of pictographs and petrogylphs to the construction of roads, dwellings, and monuments, as well as traces of those actions. It includes gestures both small and grand, directing our attention from potsherd, cigarette butt, and mark in the sand to human settlements, monumental artworks, and military/industrial projects such as hydroelectric dams and decommissioned airfields.

In Land...

Energizing the visual landscape since 1968, New York City's community murals beautify, educate, protest, celebrate, and often motivate residents to action. Collaborations between artists and neighborhood groups, these painted walls reflect the social, cultural, and political climate of their times.

The result of six years of research and hundreds of interviews, On the Wall brings to light murals that were hitherto -lost- to history or unknown outside their immediate surroundings. Documenting six chronological periods, the book highlights significant murals and introduces the...

Energizing the visual landscape since 1968, New York City's community murals beautify, educate, protest, celebrate, and often motivate residents to action. Collaborations between artists and neighborhood groups, these painted walls reflect the social, cultural, and political climate of their times.

The result of six years of research and hundreds of interviews, On the Wall brings to light murals that were hitherto -lost- to history or unknown outside their immediate surroundings. Documenting six chronological periods, the book highlights significant murals and introduces the...