Kategoria BISAC: Art >> American - General

Artists in late 19th-century France produced some of Europe's most celebrated and revolutionary works of art. Among those innovators are Edgar Degas, Jean-Louis Forain, and Henri de Toulouse-Lautrec, who captured the renowned dancers of Paris in paintings, pastels, drawings, prints, and sculptures, creating potent icons of a unique time, place, and culture. Each sought to portray rapidly changing urban life, concentrating on the human figure in its social context. The dancer proved to be a fruitful subject for their investigations of modernity.

Degas focused on the artifice of the...

To twenty-first-century observers, artistic training may seem an unnecessary frill in a soldier's education. But during the nineteenth and even the twentieth centuries, military officers were expected to sketch battlefields and design fortifications. Officers of the Army Corps of Topographical Engineers, which organized exploring expeditions, were asked to return with the information needed to map the expanding American West. Thus, the Military Academy at West Point incorporated art into its curriculum within a year after its creation in 1802.

"West Point Points West" celebrates the...

William and Dorothy Harmsen were true American entrepreneurs whose ice-cream store, founded in 1949, grew into the wildly successful Jolly Rancher Candy Company. This volume highlights the Harmsens' legacy as Colorado businesspeople and philanthropists.

Bill and Dorothy lived their passion for the West, among other ways, through art. Beginning in 1967, they built a collection that broadly encompassed the American West. They bought works by recognized masters of American western art such as George Catlin and Ernest L. Blumenschein, but they also acquired works by artists exploring...

Because western art is by definition topical, it is also by necessity representational, and often narrative. Western artists must therefore rely on a certain degree of realism to express themselves visually. While this tendency toward realism is out of keeping with abstract impressionism, which dominated the art world in the latter half of the twentieth century, it resonates positively with today's audiences.

Since the early 1990s, the Denver Art Museum has collected and exhibited the works of living American artists who celebrate western themes through representational forms of creative...

Making American Art presents a thematic, interdisciplinary examination of art in the United States from the seventeenth century to the present day.

The themes and issues explored in Making American Art pull together documentary material, art works and contemporary theory to enliven what can often be a complex and geographically overwhelming history. The abiding and connective theme of the book is an extended and multidimensional examination of the perennial and vexing question: what is American about American art? In attempting an answer, the book draws upon topics...

Richly illustrated with photographs, prints, intimate letters, papers, and ephemera from archives and collections at both Yaddo and The New York Public Library--many of which have...

The four artists featured in American Masters of the Mississippi Gulf Coast: George Ohr, Dusti Bonge, Walter Anderson, Richmond Barthe are linked as pioneers of modernism in the South. In this catalog to one of the American Masters Series exhibits funded by the National Endowment for the Arts, art historian Patti Carr Black examines the work of these four individuals, placing them in the contexts of twentieth-century American art and southern culture.

George Ohr (1857-1918), from Biloxi, created highly inventive ceramics that were on the leading edge of the American modern pottery...

"We seek to inform as well as to celebrate. The best posters about American workers and the jobs at which they labor make up a visually fascinating body of work that rewards our attention. The posters were produced with a dual purpose: to entertain and to inform. They were also vehicles for working people to present themselves visually, which is rarely as straightforward as it might seem because the labor force itself is not monolithic. Nor are the posters about just paid or wage labor. They repeatedly demonstrate that labor issues include both the workplace and the outside community and...

This is the first book-length account of the pioneering and prolific Kellogg family of lithographers, active in Connecticut for over four decades. Daniel Wright Kellogg opened his print shop on Main Street in Hartford five years before Nathaniel Currier went into a similar business in New York and more than twenty-five years before Currier founded his partnership with James M....