Kategoria BISAC: Art >> History - General

This study of the work of women artists discusses the work of individual women artists in the context of contemporary art practices and in relation to key feminist issues in art history. It looks at the work of a diverse range of artists including women from the United States, the former Soviet Union and the United Kingdom - discussing, among others, the work of Barbara Kruger, Cindy Sherman and the V Girls. Work by 20th-century Soviet women artists is covered, providing a case study of the production of art in non-Western economic, political and ideological circumstances.

In Symbol and Image in Celtic Religious Art, Miranda Green argues that only by deciphering their complex systems of images and symbols can we uncover the realities of Celtic life and belief in Europe before and during the Roman period. She explores a number of iconographic themes in depth and examines the tribal and regional differences in artistic cult expression to reveal the very varied concepts embraced by anthropomorphic imagery. Discussion ranges from the artistic expression of animal cults and that of natural forces to the effect of religious belief on artistic style, and Miranda Green...

An Intimate Distance considers a wide range of visual images of women in the context of current debates which centre around the body, including reproductive science, questions of ageing and death and the concept of 'body horror' in relation to food, consumption and sex. A feminist reclamation of these images suggests how the permeable boundaries between the female body and technology, nature and culture are being crossed in the work of women artists.

First published in 1986, this text brings together the work of artists who were gay, lesbian or bisexual. It freely discusses and analyzes painting, sculpture and photography which reflects the artist's sexual orientation, placing the work within its artistic, social and historical context, and challenging the view that issues of sexual identity have no place within art.

This text brings together a collection of artists, curators, critics and researchers to consider the question of sexual difference and its significance in the production and reception of visual representation by women artists. Generations indicates a sense of awareness of the historical and political positioning of women whereas Geographies calls attention to their location in terms of nationality, imperialism, migration, exile, diaspora and social difference. Drawing on a range of current theoretical perspectives, works by women artists of the 20th century are examined in terms of themes...

Drawing together an international group of scholars from a variety of disciplinary and cultural backgrounds, Colonialism and the Object explores the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation.

The book includes intensive case-studies of objects from India, Pakistan, New Zealand, China and Africa, all of which were collected by, or exhibited in, the institutions of the British Empire, and key chapters address issues of radical identity across cultural barriers, and the hybird styles of objects which...

The post-colonial world has seen a major re-evaluation of the insititutions and ideologies of colonialism. Post-colonial theory has enriched our understanding of the history and literature of colonial periods. With reference to this trend, this collection examines the artistic production of both imperial nations and their colonies and aims to show how it was affected by colonial contact. Drawing together an international group of scholars from a variety of disciplinary and cultural backgrounds, it presents case studies of objects from India, Pakistan, New Zealand, China and Africa which were...

This volume marks the beginning of a 4000-page correspondence between Charles Biederman, founder of Constructivism in the 1930s, and David Bohm the prestigious physicist known for his interpretation of quantum theory. Available for the first time, we are given a rare opportunity to read through and engage in a transatlantic, intellectual discussion on art and science, creativity and theory.

This is the first book to examine the connections between diaspora - the movement, whether forced or voluntary, of a nation or group of people from one homeland to another - and its representations in visual culture. Two foundational articles by Stuart Hall and the painter R.B. Kitaj provide points of departure for an exploration of the meanings of diaspora for cultural identity and artistic practice.

A distinguished group of contributors, who include Alan Sinfield, Irit Rogoff, and Eunice Lipton, address the rich complexity of diasporic cultures and art, but with a focus on the...

This text marks the importance of diaspora as a means of understanding the new modes of postnational identity. In examining the visual culture of the classic African and Jewish diasporas, contributors address different aspects of the multiple viewpoints inherent in diasporic cultures. Two introductory essays by Stuart Hall and the painter R.B. Kitaj highlight the intersections of diaspora and cultural identity. The subsequent essays examine individual instances of diaspora as diverse as homosexuality in the Dreyfus Affair, the Caribbean-Jewish Impressionist painter Camille Pissarro, Yoruba...

First published in 1951, Arnold Hausers work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. This edition includes an introduction to the work of Arnold Hauser. In his introduction to the four volumes of The Social History of Art, Jonathan Harris demonstrates the importance of the work for contemporary art history and visual culture and suggests reasons and strategies for reading. In addition, an introduction to each individual volume provides a synopsis of Hausers narrative and serves as a critical guide to the text and...

First published in 1951, Arnold Hausers work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. This edition includes an introduction to the work of Arnold Hauser. In his introduction to the four volumes of The Social History of Art, Jonathan Harris demonstrates the importance of the work for contemporary art history and visual culture and suggests reasons and strategies for reading. In addition, an introduction to each individual volume provides a synopsis of Hausers narrative and serves as a critical guide to the text and...

First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced.
This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In...

First published in 1951, Arnold Hausers work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. This edition includes an introduction to the work of Arnold Hauser. In his introduction to the four volumes of The Social History of Art, Jonathan Harris demonstrates the importance of the work for contemporary art history and visual culture and suggests reasons and strategies for reading. In addition, an introduction to each individual volume provides a synopsis of Hausers narrative and serves as a critical guide to the text and...

First published in 1951, Arnold Hauser's work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser details social and historical movements and sketches the frameworks in which visual art is produced. This edition also provides an introduction to the work of Arnold Hauser. In his introduction to the four volumes of The Social History of Art, Jonathan Harris demonstrates the importance of the work for contemporary art history and visual culture and suggests reasons and...

What is art history? The answer depends on who asks the question. Artists, museum professionals, academics, art critics, collectors and connoisseurs, dealers and auctioneers all share in the goals, achievements, methods and history of art history. Tied to and sustained by a host of competing institutions, art history remains a many-headed field of study.

Art History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundations in the nineteenth century. From museums and universities to law courts, labour organizations and photography studios, contributors examine a range of institutions, considering their impact on movements such as modernism; their role in conveying or denying legitimacy; and their impact on defining the parameters of the discipline.

An Archaeology of Images takes a fresh look at how ancient images of both people and animals were used in the Iron Age and Roman societies of Europe, 600 BC to AD 400.

Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt.

Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a...

This Reader brings together, for the first time, key writings about the nineteenth century, a key period in contemporary discussion of visual culture.

Exploring such topics as photographs, exhibitions and advertising the editors suggest that 'modernity' rather than 'modernism' is a valuable way of understanding the changes particular to the visual culture of the time, and they investigate a variety of nineteenth-century images, technologies and visual experiences.

With three specially-written essays about definitions of visual culture as an object of study, the book...