Kategoria BISAC: Art >> Criticism & Theory

Ideal painting in the Renaissance was an art of illusionism that eliminated for the viewer any overt sense of its making. Titian's paintings, in contrast, with their roughly worked and "open" surfaces, unexpected glazes, and thick impasto brushstrokes, made the fact of the paint increasingly visible. Previous scholars have read these paintings as unfinished or the product of lesser studio hands, but in The Muddied Mirror, Jodi Cranston argues that this approach to paint is integral to Titian's later work. Rather than presenting in paint a precise reflection of the visible world,...

Drawing on his intimate engagement with...

References to the Gesamtkunstwerk, a "total work of art," abound in discussions of modern art and culture, often describing a seamless melding of a variety of art forms that overwhelm the emotions, impede critical thought, and mold a group of individuals into a powerless mass. Famously set forth by the composer Richard Wagner in 1849, the term has been applied to such disparate settings as the cinema palaces of Berlin in the 1920s and Andy Warhol's Factory scene in New York in the 1960s.

In Modernism after Wagner, Juliet Koss explores the history and legacy of Wagner's...

Sarah Thornton's vivid ethnography--an international hit, now available in twenty translations--reveals the inner workings of the sophisticated subcultures that make up the contemporary art world. In a series of day-in-the-life narratives set in New York, Los Angeles, London, Basel, Venice, and Tokyo, Seven Days in the Art World explores the dynamics of creativity, taste, status, money, and the search for meaning in life.

Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism.

In this volume, experts in film studies and art history take up the debate, begun by Benjamin, about the power and scope of the image in a secular age. Part I aims to bring Benjamin's concerns to life in essays...

Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine Dada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri's Eat Art, and the French New Realists.

Starting from the premise that avant-garde art involves the questioning of...

Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine Dada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri's Eat Art, and the French New Realists.

Starting from the premise that avant-garde art involves the questioning of...

Jose Guadalupe Posada (1852-1913), a Mexican graphic artist, lived during one of Mexico's most chaotic times. The graphic illustrations he produced for the "broadsheets," the tabloids of the day, distributed on the streets of Mexico City became icons of Revolutionary Mexico, portraying murder, suicides, robberies, and disasters endured by the citizens, especially the Mestizo, of Mexico City.

"In this well-written and handsomely illustrated book, art historian Patrick Frank examines the European (i.e. French and Spanish) and Mexican influences on Posada's art as well as the many...