Communities of Sense argues for a new understanding of the relation between politics and aesthetics in today s globalized and image-saturated world. Established and emerging scholars of art and culture draw on Jacques Ranciere s theorization of democratic politics to suggest that aesthetics, traditionally defined as the science of the sensible, is not a depoliticized discourse or theory of art, but instead part of a historically specific organization of social roles and communality. Rather than formulating aesthetics as the Other to politics, the contributors show that aesthetics and...

Communities of Sense argues for a new understanding of the relation between politics and aesthetics in today s globalized and image-saturated world. Established and emerging scholars of art and culture draw on Jacques Ranciere s theorization of democratic politics to suggest that aesthetics, traditionally defined as the science of the sensible, is not a depoliticized discourse or theory of art, but instead part of a historically specific organization of social roles and communality. Rather than formulating aesthetics as the Other to politics, the contributors show that aesthetics and...

Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which "the people" were ideologically figured by the commercial mass media. During this time, artists and organizations including Nam June Paik, Juan Downey, and the Women's Video News Service challenged the existing limits of the one-to-many model of televisual broadcasting while simultaneously constructing more democratic, bottom-up models in which the people mediated themselves. Operating at the intersection...

Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which the people were ideologically figured by the commercial mass media. During this time, artists and organizations including Nam June Paik, Juan Downey, and the Women s Video News Service challenged the existing limits of the one-to-many model of televisual broadcasting while simultaneously constructing more democratic, bottom-up models in which the people mediated themselves. Operating at the intersection...